(Everything That Rises Must Converge), Flannery O'Connor put the twisted vision and dark humor of Southern Gothic fiction to spiritual purposes. Though O'Connor, a rural Southerner, knew she would die young of lupus, she remained a faithful Catholic. Indeed, she was determined to undermine the '50s worldview which saw science and logic as steadily leading us to becoming a society based on rationality, consumerism, and progress, which would make God superfluous. Acutely aware of the extremes of religion in the South, she nonetheless preferred that "God-haunted" region to a bland world produced by advertising. She believed the supernatural lay just below the surface of the everyday, requiring the spiritual artist to portray the mundane world with great care and accuracy, however bizarre some of its events and characters might be. O'Connor saw the potential for mysterious grace in any place where the spirit, though twisted, was still alive. Her writing is powerful, at times violent, often hilarious. Sometimes I find it best to read her a little at a time; her unconquerable wit and her deep, abiding spirituality always shine through.

It is claimed that the telepathic communications come from highly evolved spirit beings existing in the normally invisible realms of the spirit dimension. Sometimes the medium will have a vision in which he or she sees the spirit in a visible form, manifested in the imagination faculties of the medium’s consciousness. The spirit guides are said to sometimes wear white robes and often radiate brilliant, golden-white light. Channelers claim that the messages received represent divine wisdom and truth, and have beneficial value for mankind.


In 1970 two psychical researchers investigated the direct-voice medium Leslie Flint and found that all the "spirit" voices in his séance sounded exactly like himself and attributed his mediumship to "second-rate ventriloquism".[170] The medium Arthur Ford died leaving specific instructions that all of his files should be burned. In 1971 after his death, psychical researchers discovered his files but instead of burning them they were examined and discovered to be filled with obituaries, newspaper articles and other information, which enabled Ford to research his séance sitters backgrounds.[171]
After her death in the 1980s the medium Doris Stokes was accused of fraud, by author and investigator Ian Wilson. Wilson stated that Mrs Stokes planted specific people in her audience and did prior research into her sitters.[174] Rita Goold a physical medium during the 1980s was accused of fraud, by the psychical researcher Tony Cornell. He claimed she would dress up as the spirits in her séances and would play music during them which provided cover for her to change clothes.[175]
Growing up in the 1950s, I felt lost amid the materialism and shallow sunniness of the postwar culture; I longed for some overarching meaning. Then I came across books by two novelists, Jack Kerouac and J.D. Salinger, that opened my eyes to an entirely new way of looking at the world. I had not known that books could do this. These novels made life seem a much more mysterious and rich experience than I had imagined. At heart, they were books about spiritual journeys, and they made spirituality seem hip and wonderful. They also introduced me to the Buddhist concept of "right livelihood," thereby ultimately changing my life, for in time I gave up a lucrative career as a missile engineer to become a novelist and teacher of literature. Today, these novels have become spiritual classics, timeless books that provide special wisdom and insight for readers grappling with life's thorniest philosophical dilemmas. The novel as an art form originally came into being as bourgeois entertainment concerned with everyday matters, such as money, success, and ambition. Paradoxically, its very concreteness, which requires the novelist to create plausible characters operating in a credible world, makes the novel an ideal vehicle for exploring spiritual themes and presenting unorthodox worldviews. The best-selling novelists of our time seem not to understand this; but over the past century or so, the form's masters have put this opportunity to especially good use. Their handiwork includes, among others, the following 10 spiritual classics (including a novella, a short story collection, and one novel-like sacred scripture). I cherish these volumes as old friends and teachers; your summer reading experience will be greatly enhanced by packing one or more of these treasures in your travel bag.

The Danish medium Einer Nielsen was investigated by a committee from the Kristiania University in Norway, 1922 and discovered in a séance that his ectoplasm was fake.[130] In 1923 the Polish medium Jan Guzyk was exposed as a fraud in a series of séances in Sorbonne in Paris. Guzyk would use his elbows and legs to move objects around the room and touch the sitters. According to Max Dessoir the trick of Guzyk was to use his "foot for psychic touches and sounds".[131]
Between 8 November and 31 December 1920 Gustav Geley of the Institute Metapsychique International attended fourteen séances with the medium Franek Kluski in Paris. A bowl of hot paraffin was placed in the room and according to Kluski spirits dipped their limbs into the paraffin and then into a bath of water to materialize. Three other series of séances were held in Warsaw in Kluski's own apartment, these took place over a period of three years. Kluski was not searched in any of the séances. Photographs of the molds were obtained during the four series of experiments and were published by Geley in 1924.[123][124] Harry Houdini replicated the Kluski materialization moulds by using his hands and a bowl of hot paraffin.[125]
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In contrast to most oracle decks, which don’t include suited pip cards, Lenormand cards feature a unique combination of numbered playing-card imagery on top of illustrated scenes used for fortune-telling. “One of the earliest versions, called the Game of Hope, was made by a German named J.K. Hechtel and was prepared like a board game,” says Matthews. “You laid out cards 1 to 36, and the object of the game was to throw the dice and move your tokens along it. If you got to card 35, which was the anchor card, then you’re home, safe and dry. But if you went beyond that, it was the cross, which was not so good. It was like the game Snakes and Ladders.” In this way, the Game of Hope fell into the Victorian-era tradition of board games that determined a player’s life story based on luck.
Yes, it’s certainly possible. My type of mediumship works on a mental level, as I receive images and words through the power of thought, so there’s no language barrier. I’ve read for Ethiopians, Chinese, Latinos, Brazilians, Japanese, and many more. Each time I connect with someone who has lived in another country, I always feel their culture, comprehend their language, and understand their experiences. In a funny sort of way, it’s almost as if I’m actually there.
Building on Court de Gébelin’s Egyptian connection, Etteilla claimed that tarot cards originated with the legendary Book of Thoth, which supposedly belonged to the Egyptian god of wisdom. According to Etteilla, the book was engraved by Thoth’s priests into gold plates, providing the imagery for the first tarot deck. Drawing on these theories, Etteilla published his own deck in 1789—one of the first designed explicitly as a divination tool and eventually referred to as the Egyptian tarot.

I am a psychic medium. People contact me for a reading for many reasons. Some may just want to experience a reading, and do not have preferences as to whether it be psychic or mediumistic. Others have specific life issues, and are looking for helpful guidance “psychically”. Others will contact me for my natural ability to connect with someone who has passed, which is a mediumistic reading. Here is how I can explain to you the difference between the two types of readings:
Hi, My name is Gina Marie DeLuca. I’ve been seeing, feeling, and sensing Spirit since I was a child, but it wasn’t until recently that I learned how to communicate with souls in Heaven. After suffering from a debilitating bout of Epstein Bar, I heard about a spiritual healer and teacher named Pat Longo. After just one session, she told me that I was an extremely gifted Medium. Since then, Pat helped me learn to channel Spirit through my chakras and release it with my words. I began to connect people with their loved ones, heal others, and come into my own....
Direct voice communication is the claim that spirits speak independently of the medium, who facilitates the phenomenon rather than produces it. The role of the medium is to make the connection between the physical and spirit worlds. Trumpets are often utilised to amplify the signal, and directed voice mediums are sometimes known as "trumpet mediums". This form of mediumship also permits the medium to participate in the discourse during séances, since the medium's voice is not required by the spirit to communicate. Leslie Flint was one of the best known exponents of this form of mediumship.[28]
The James Van Praagh School of Mystical Arts is here to empower and awaken you. Founded by New York Times bestselling author and internationally acclaimed spiritual teacher James Van Praagh, the James Van Praagh School of Mystical Arts offers a variety of innovative online courses and spiritual trainings that allow you to create your most fulfilling life, live your soul’s purpose, and share your gifts with the world. The school also offers one of the most in-depth and well-regarded psychic and mediumship certification programs available today. Ultimately, the James Van Praagh School of Mystical Arts is more than a learning experience. It’s a place of like-minded souls where you’re empowered to shine
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