I somehow got convinced to have a psychic reading with Adriana on Newbury St. I was walking down the road minding my own business and she pulled me aside and said something like, "You're at a crossroads and I see something about career in your future." Well, that's pretty non-specific, but I was intrigued because I've been plagued by work issues and feeling like I need to make a change.
The mediums ranged from 15 to 47 years of automatic writing experience, performing up to 18 psychographies per month. All were right-handed, in good mental health, and not currently using any psychiatric drugs. All reported that during the study they were able to reach their usual trance-like state during the psychography task and were in their regular state of consciousness during the control task.
Here's what happened: The experienced psychographers showed lower levels of activity in the left hippocampus (limbic system), right superior temporal gyrus, and the frontal lobe regions of the brain during psychography compared to their normal (non-trance) writing. The frontal lobe areas are associated with reasoning, planning, generating language, movement, and problem solving, which means that the mediums were experiencing reduced focus, lessened self-awareness and fuzzy consciousness during psychography.
The word tarot and German Tarock derive from the Italian tarocchi, the origin of which is uncertain but taroch was used as a synonym for foolishness in the late 15th and early 16th centuries.[2][3] The decks were known exclusively as trionfi during the fifteenth century. The new name first appeared in Brescia around 1502 as tarocho.[4] During the 16th century, a new game played with a standard deck but sharing a very similar name (trionfa) was quickly becoming popular. This coincided with the older game being renamed tarocchi.[1] In modern Italian, the singular term is tarocco, which, as a noun, means a type of blood orange, and, as an adjective, means 'fake, counterfeit'.
Jump up ^ Leonard Zusne, Warren H. Jones. (1989). Anomalistic Psychology: A Study of Magical Thinking. Psychology Press. p. 221. ISBN 978-0-8058-0508-6 "The spirits, controls, and guides of a medium are the products of the medium's own psychological dynamics. On the one hand, they personify the medium's hidden impulses and wish life. On the other, they are also shaped by the expectations of the medium's sitters, the medium's experience, the cultural background, and the spirit of the times."

Between 8 November and 31 December 1920 Gustav Geley of the Institute Metapsychique International attended fourteen séances with the medium Franek Kluski in Paris. A bowl of hot paraffin was placed in the room and according to Kluski spirits dipped their limbs into the paraffin and then into a bath of water to materialize. Three other series of séances were held in Warsaw in Kluski's own apartment, these took place over a period of three years. Kluski was not searched in any of the séances. Photographs of the molds were obtained during the four series of experiments and were published by Geley in 1924.[123][124] Harry Houdini replicated the Kluski materialization moulds by using his hands and a bowl of hot paraffin.[125]

Even the greatest amount of spiritual reading would amount to a waste of time if it did not affect our souls.  How do we make it stick in our spiritual life?  First, we should keep Padre Pio’s advice: ask for the assistance of the Holy Spirit, and what God wants to communicate to us in that particular book.  Another way to do this is by journaling.  Writing down thoughts or insights helps us process new information, as well as helping us remember it.  If it’s easier to type than write, one might try starting a blog.  Anyone can do it, and there are many free sites available.
But to balance such arcane decks, there are divinatory cards that offer little room for interpretation, like “Le Scarabée d’Or” or The Golden Beetle Oracle, one of Wolf’s most prized decks. “It’s just fantastically bizarre. There’s a little window in the lid of the card box, and when you shake it, the beetle appears, and points to a number,” he explains. “Then you find the corresponding number on a set of round cards, with beautiful script text on them, and read your fortune. Can you not imagine standing in a Victorian parlor in France, consulting the Golden Beetle? It was like performance art.”

According to James Randi, a skeptic who has debunked many claims of psychic ability and uncovered fraudulent practices,[202] mediums who do cold readings "fish, suggest possibilities, make educated guesses and give options." Randi has a standing offer of $1 million US dollars for anyone who can demonstrate psychic ability under controlled conditions. Most prominent psychics and mediums have not taken up his offer.[203]


The magician Julien Proskauer revealed that the levitating trumpet of Jack Webber was a trick. Close examination of photographs reveal Webber to be holding a telescopic reaching rod attached to the trumpet, and sitters in his séances only believed it to have levitated because the room was so dark they could not see the rod. Webber would cover the rod with crepe paper to disguise its real construction.[162]

We have the original NewAgeStore tarot interpretations and the extremely popular tarot cards from Aquatic Tarot by the lovely Andres Schroeter, the same cards that have been on NewAgeStore for over a decade.  In addition, the lovely and very talented Ciro Marchetti has graciously agreed to allow us to use his divine works of tarot art to add to our readings page. And yes! These cards are available for purchase directly through Ciro’s website
This is the last in the five-volume series of autobiographical novels called "The Children of Violence," which trace the life story of Martha Quest. The first four books portray Martha's youth and young womanhood among the English settlers in colonial, racially divided British Rhodesia. In this book, Martha leaves Africa and is living in postwar London, a bombed-out city where the walls of buildings are not the only boundaries that have come down. The line between good and evil was much clearer under the African sun; here Martha enters a world where such distinctions are lost at a dizzying pace. Her friend Lynda undergoes a personal breakdown, prefiguring Martha's own dissolution. Lessing's genius is to see that this time of social fragmentation and personal disorder can be welcomed as the prelude to a spiritual rebirth. This book moves from politics toward spirituality and reflects Lessing's honesty and concern.

In 1908 at a hotel in Naples, the psychical researchers W. W. Baggally, Hereward Carrington and Everard Feilding attended a series of séances with Eusapia Palladino. In a report they claimed that genuine supernatural activity had occurred in the séances, this report became known as the Feilding report.[109] In 1910, Feilding returned to Naples, but this time accompanied with the magician William S. Marriott. Unlike the 1908 sittings, Feilding and Marriott detected her cheating, just as she had done in America. Her deceptions were obvious. Palladino evaded control and was caught moving objects with her foot, shaking the curtain with her hands, moving the cabinet table with her elbow and touching the séance sitters. Milbourne Christopher wrote regarding the exposure "when one knows how a feat can be done and what to look for, only the most skillful performer can maintain the illusion in the face of such informed scrutiny."[110]

There are many ways of working with the deck. You should choose your own deck by being drawn to it intuitively. There are layers upon layers of systems to learn, including Kabbalah, the tree of life, colour scales, Hebrew letters, numerology, pathways, symbolism, alchemy, astrology, mythology and learning to meditate with each card directly. The more layers you learn the deeper your knowledge and insight into the cards.
The Polish medium Stanisława Tomczyk's levitation of a glass beaker was exposed and replicated in 1910 by the magician William S. Marriott by means of a hidden thread.[114] The Italian medium Lucia Sordi was exposed in 1911, she was bound to a chair by psychical researchers but would free herself during her séances. The tricks of another Italian medium Linda Gazzera were revealed in the same year, she would release her hands and feet from control in her séances and use them. Gazzera would not permit anyone to search her before a séance sitting, as she concealed muslin and other objects in her hair.[115]

At Waite's suggestion, Smith used the Sola Busca artwork for inspiration, and there are many similarities in the symbolism between Sola Busca and Smith's final result. Smith was the first artist to use characters as representative images in the lower cards. Instead of showing merely a cluster of cups, coins, wands or swords, Smith incorporated human figures into the artwork, and the result is the iconic deck that every reader knows today.


Future - Finally, there is the future card. The future is wrought with mystery and unknowns, and this card offers a magic view of what’s next in the journey. It can reveal where you are headed or could be headed if you do not make important changes. Looking into the future card, see what strengths you continue to develop, what you master, and what falls to the wayside as you pursue more meaningful endeavors. You might also be able to see where you will live, who you will fall in love with, or what kind of good fortune comes your way.
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