With your permission, I connect on a soulful resonance to bring forth messages and healing energy from within you and out to you for further remembering, exploration, and transformation. combining both universal wisdom and the wisdom of your soul, within soul to soul one on one communication and message, these two essences BEing as One within One Spiritual Soul Channel Reading for you. Each reading explores your Soul Life Purpose, what your soul is inviting you to remember, embrace, and treasure within this Life Experience. Using the ancient wisdom tools of Soul Mediumship, as well as intuitive guidance, I will explore with you, your spiritual destiny and the specific gifts you have chosen to experience within this Life Experience. I will also identify the cycle of energies you are embracing in this moment in direct application to your current life situation.
In 1917, Edward Clodd analyzed the mediumship of the trance medium Gladys Osborne Leonard and came to the conclusion that Leonard had known her séance sitters before she had held the séances, and could have easily obtained such information by natural means. The British psychiatrist Charles Arthur Mercier wrote in his book Spiritualism and Sir Oliver Lodge (1917) that Oliver Lodge had been duped into believing mediumship by trickery and his spiritualist views were based on assumptions and not scientific evidence.
The illustrations of French-suited tarot trumps depart considerably from the older Italian-suited design, abandoning the Renaissance allegorical motifs. With the exception of novelty decks, French-suited tarot cards are almost exclusively used for card games. The first generation of French-suited tarots depicted scenes of animals on the trumps and were thus called "Tiertarock" ('Tier' being German for 'animal') appeared around 1740. Around 1800, a greater variety of decks were produced, mostly with genre art or veduta. Current French-suited tarot decks come in these patterns:
Circo says: “This deck is based on my first deck the Gilded Tarot, but is a complete working of that original deck, every images was redone. So i regard it as a separate entity. It is not cheap, its US $110, that is because its special edition and aimed at collectors, every deck is signed, every deck is also unique. I produced variations in colour on several cards, and then selected those variables randomly while collating each deck. The result is that each deck has its own combination of the 78 cards, I think statistically there is a 1 in 7000 chance that two decks the same. A quantity that far more than the number I printed…” There is also a link to a promotional video on the cards YouTube
Often they will impress me with their personalities or how they acted here so that the person receiving the message can understand who it is. It’s a form of validation, which is a necessary part of the communication process. If someone was negative here, it’s likely that they’ll imprint that characteristic on me during the link, once again just to validate who they are. Have no fear.
Jump up ^ Paul Kurtz. (1985). A Skeptic's Handbook of Parapsychology. Prometheus Books. p. 29. ISBN 978-0-87975-300-9 "Florence Cook was caught cheating not only before her séances with Crookes but also afterward. Furthermore, she learned her trade from the mediums Frank Herne and Charles Williams, who were notorious for their cheating." Also see M. Lamar Keene. (1997). The Psychic Mafia. Prometheus Books. p. 64. ISBN 978-1-57392-161-9 "The most famous of materialization mediums, Florence Cook – though she managed to convince a scientist, Sir William Crookes, that she was genuine – was repeatedly exposed in fraud. Florence had been trained in the arts of the séance by Frank Herne, a well-known physical medium whose materializations were grabbed on more than one occasion and found to be the medium himself."
In the 1930s Harry Price (director of the National Laboratory of Psychical Research) had investigated the medium Helen Duncan and had her perform a number of test séances. She was suspected of swallowing cheesecloth which was then regurgitated as "ectoplasm". Price had proven through analysis of a sample of ectoplasm produced by Duncan, that it was made of cheesecloth. Helen Duncan would also use a doll made of a painted papier-mâché mask draped in an old sheet which she pretended to her sitters was a spirit. The photographs taken by Thomas Glendenning Hamilton in the 1930s of ectoplasm reveal the substance to be made of tissue paper and magazine cut-outs of people. The famous photograph taken by Hamilton of the medium Mary Ann Marshall depicts tissue paper with a cut out of Arthur Conan Doyle's head from a newspaper. Skeptics have suspected that Hamilton may have been behind the hoax.
In a series of fake séance experiments (Wiseman et al. 2003) paranormal believers and disbelievers were suggested by an actor that a table was levitating when, in fact, it remained stationary. After the seance, approximately one third of the participants incorrectly reported that the table had moved. The results showed a greater percentage of believers reporting that the table had moved. In another experiment the believers had also reported that a handbell had moved when it had remained stationary and expressed their belief that the fake séances contained genuine paranormal phenomena. The experiments strongly supported the notion that in the séance room, believers are more suggestible than disbelievers for suggestions that are consistent with their belief in paranormal phenomena.
The ancestors of what we today know as Tarot cards can be traced back to around the late fourteenth century. Artists in Europe created the first playing cards, which were used for games, and featured four different suits. These suits were similar to what we still use today – staves or wands, discs or coins, cups, and swords. After a decade or two of using these, in the mid-1400s, Italian artists began painting additional cards, heavily illustrated, to add into the existing suits.
Often, I will do a Skype call with my best friend in the evening, when she is off work. She lays the cards out for me on her Turkish scarves then - ta-da! - the fortune-telling happens. Because she knows me so well, since we were pip-squeaks, it is helpful to have her insight on what each card forebodes. After the reading, I get to process it all with my pal then take it with me into my dreams.