The spirit photographer William Hope tricked William Crookes with a fake spirit photograph of his wife in 1906. Oliver Lodge revealed there had been obvious signs of double exposure, the picture of Lady Crookes had been copied from a wedding anniversary photograph, however, Crookes was a convinced spiritualist and claimed it was genuine evidence for spirit photography.
German-suited decks for Bauerntarock, Württemberg Tarock and Bavarian Tarock are different. They are not true tarot/tarock packs, but a Bavarian or Württemberg pattern of the standard German-suited decks with only 36 cards; the pip cards ranging from 6 to 10, Under Knave (Unter), Over Knave (Ober), King, and Ace. These use Ace-Ten ranking, like Klaverjas, where Ace is the highest followed by 10, King, Ober, Unter, then 9 to 6. The heart suit is the default trump suit. The Bavarian deck is also used to play Schafkopf by excluding the Sixes.
The séance trick of the Eddy Brothers was revealed by the magician Chung Ling Soo in 1898. The brothers utilized a fake hand made of lead, and with their hands free from control would play musical instruments and move objects in the séance room. The physiologist Ivor Lloyd Tuckett examined a case of spirit photography that W. T. Stead had claimed was genuine. Stead visited a photographer who had produced a photograph of him with deceased soldier known as "Piet Botha". Stead claimed that the photographer could not have come across any information about Piet Botha, however, Tuckett discovered that an article in 1899 had been published on Pietrus Botha in a weekly magazine with a portrait and personal details.
The British direct-voice medium Frederick Tansley Munnings was exposed as a fraud when one of his séance sitters turned the lights on which revealed him to be holding a trumpet by means of a telescopic extension piece and using an angle piece to change the auditory effect of his voice. Richard Hodgson held six sittings with the medium Rosina Thompson and came to the conclusion she was a fraud as he discovered Thompson had access to documents and information about her séance sitters.
The first documented tarot packs were recorded between 1440 and 1450 in Milan, Ferrara, Florence and Bologna when additional trump cards with allegorical illustrations were added to the common four-suit pack. These new decks were called carte da trionfi, triumph cards, and the additional cards known simply as trionfi, which became "trumps" in English. The earliest documentation of trionfi is found in a written statement in the court records of Florence, in 1440, regarding the transfer of two decks to Sigismondo Pandolfo Malatesta.
Colin Fry was exposed in 1992 when during a séance the lights were unexpectedly turned on and he was seen holding a spirit trumpet in the air, which the audience had been led to believe was being levitated by spiritual energy. In 1997, Massimo Polidoro and Luigi Garlaschelli produced wax-moulds directly from one's hand which were exactly the same copies as Gustav Geley obtained from Franek Kluski, which are kept at the Institute Metapsychique International.
In 1960, psychic investigator Andrija Puharich and Tom O'Neill, publisher of the Spiritualist magazine Psychic Observer, arranged to film two seances at Camp Chesterfield, Indiana using infrared film, intending to procure scientific proof of spirit materializations. The medium was shown the camera beforehand, and was aware that she was being filmed. However, the film revealed obvious fraud on the part of the medium and her cabinet assistant. The expose was published in the 10 July 1960 issue of the Psychic Observer.:96–97
Sometimes I may even come up with a word or saying in their language that I’ve never spoken before. One time I did a reading for a woman who was from Romania. Her mom came through, and she’d never spoken English in her life. When she connected with me, it was all in pictures and symbols. I wasn’t remotely surprised to find out that her mom was an artist and was a visual person. It was as if these pictures and symbols had words attached to them.
In recent years, we've seen the emergence of "celebrity mediums," who are people that have become famous simply for being mediums. This, in turn, has led to some fairly intense scrutiny of those who claim to have mediumship ability. People like the "Long Island Medium," Theresa Caputo and Allison DuBois, who inspired the hit television show Medium, have often been criticized for taking advantage of their clients' grief. Still worse, many are accused of being frauds.
No one truly knows when playing cards began to be used for divination, although as early as the fifteenth century, additional picture cards (trumps) were being added to decks of playing cards. These cards depicted images of gods, heroes, or motifs to express philosophical, social, astronomical, or other ideals. The earliest known mention of the practice of tarot-style cartomancy appears in literature in the 16th century. By the 18th century, simple divination methods using cards appeared in several manuscripts.
The 18th century saw tarot's greatest revival, during which it became one of the most popular card games in Europe, played everywhere except Ireland and Britain, the Iberian peninsula, and the Ottoman Balkans. French tarot experienced a revival beginning in the 1970s and France has the strongest tarot gaming community. Regional tarot games—often known as tarock, tarok, or tarokk are widely played in central Europe within the borders of the former Austro-Hungarian empire.
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Playing cards, imported into Europe from Egypt, consisted of four suits similar to the ones we still see in tarot today: cups, swords, wands (or staves) and coins. As early as 1227 C.E., symbolic meaning was attributed to certain cards, some of which began to take on names such as “The Sun” and “The Moon,” etc. This attachment of symbolism to the cards heralded the development of the trumps. Occultists suggest that this evolution of the tarot coincides so closely with the rise of both the Kabbalah and the Inquisition that the symbolism entrenched in the tarot is really the hidden remnants of Pagan Europe struggling to survive.
Before setting a consultation appointment, it is important my client understands I work with prayers of protection and thanks to God. My intention is to help my clients achieve their greater good. If there is information the client is not “supposed” to have, then the information will not be revealed to me. I do share everything that IS revealed to me, with no judgments or holding back.
Growing up in the 1950s, I felt lost amid the materialism and shallow sunniness of the postwar culture; I longed for some overarching meaning. Then I came across books by two novelists, Jack Kerouac and J.D. Salinger, that opened my eyes to an entirely new way of looking at the world. I had not known that books could do this. These novels made life seem a much more mysterious and rich experience than I had imagined. At heart, they were books about spiritual journeys, and they made spirituality seem hip and wonderful. They also introduced me to the Buddhist concept of "right livelihood," thereby ultimately changing my life, for in time I gave up a lucrative career as a missile engineer to become a novelist and teacher of literature. Today, these novels have become spiritual classics, timeless books that provide special wisdom and insight for readers grappling with life's thorniest philosophical dilemmas. The novel as an art form originally came into being as bourgeois entertainment concerned with everyday matters, such as money, success, and ambition. Paradoxically, its very concreteness, which requires the novelist to create plausible characters operating in a credible world, makes the novel an ideal vehicle for exploring spiritual themes and presenting unorthodox worldviews. The best-selling novelists of our time seem not to understand this; but over the past century or so, the form's masters have put this opportunity to especially good use. Their handiwork includes, among others, the following 10 spiritual classics (including a novella, a short story collection, and one novel-like sacred scripture). I cherish these volumes as old friends and teachers; your summer reading experience will be greatly enhanced by packing one or more of these treasures in your travel bag.
The "passage" here is made by an older Englishwoman, Mrs. Moore, traveling to India to see her son, a British civil servant. She heads East in search of a larger view, but initially she encounters fragmentation. Hindu, Muslim, and British India are not merely different worldviews but virtually parallel worlds. Most of the English keep to themselves, but Mrs. Moore ventures out into a teeming world in which the natural is always deeply infused with the supernatural, where "to realize what God is seems more important than to do what God wants." Forster portrays her spiritual journey so authoritatively that we find ourselves, like Mrs. Moore, enlightened and overwhelmed by her new world, as she tentatively feels her way toward a comprehensive nonattachment which is finally more Hindu than British.
If the words "spiritual medium" call to mind cheap velvet cushions and crystal balls, you're in good company. But a session with Gabriel feels like an amazing conversation with a therapist you've seen for years; she's down-to-earth, astute and totally professional. She gives in-person readings for larger groups and individual readings over the phone. View Profile »
As he did so, I was aware that he’d lost a brother. I could feel his brother right beside him, right there at the party. I didn’t really know quite what to do or how to behave. I had two choices, the first being to just blurt out something, and potentially shock this man by saying, “Hey, I know you lost a brother, and he’s standing right beside you!” No, somehow I don’t think that would have been the right approach. So what I did was this. I put my thoughts out to the brother and said, If you want me to give your brother a message, then you figure out how that conversation is going to come about. I put the responsibility on the spirit to work it out.
In 1910 at a séance in Grenoble, France the apport medium Charles Bailey produced two live birds in the séance room. Bailey was unaware that the dealer he had bought the birds from was present in the séance and he was exposed as a fraud. The psychical researcher Eric Dingwall observed the medium Bert Reese in New York and claimed to have discovered his billet reading tricks. The most detailed account at exposing his tricks (with diagrams) was by the magician Theodore Annemann.
Mina Crandon claimed to materialize a "spirit hand", but when examined by biologists the hand was discovered to be made from a piece of carved animal liver. The German apport medium Heinrich Melzer was discovered to be a fraud in 1926. In a séance psychical researchers found that Melzer had small stones attached to the back of his ears by flesh coloured tape. Psychical researchers who investigated the mediumship of Maria Silbert revealed that she used her feet and toes to move objects in the séance room.
No. Most important, they want you to be happy. After all, you’re the one who’s still here and has to continue living in the physical world. When people come to see me for a private reading, having lost a spouse or a partner, it’s clear that they find it really hard to move on due to their bereavement. Some people even feel guilty for being alive, and some who have met someone else feel as if they’re cheating on their spouse or partner who passed away.
The exposures of fraudulent activity led to a rapid decline in ectoplasm and materialization séances. Investigator Joe Nickell has written that modern self-proclaimed mediums like John Edward, Sylvia Browne, Rosemary Altea and James Van Praagh are avoiding the Victorian tradition of dark rooms, spirit handwriting and flying tambourines as these methods risk exposure. They instead use "mental mediumship" tactics like cold reading or gleaning information from sitters before hand (hot reading). Group readings also improve hits by making general statements with conviction, which will fit at least one person in the audience. Shows are carefully edited before airing to show only what appears to be hits and removing anything that does not reflect well on the medium.
As souls, we all progress as we realize our faults, as well as whom we’ve hurt here, while we deal with all the decisions made in this lifetime. It’s almost as if we have a higher view of things when we cross over and can see why certain things transpired. It means a lot to my clients when I blend with the energy of their loved ones and start to describe and take on their personality or some of their individual habits. Since we’re all so different, getting a spirit’s personality can sometimes be the best evidence for a client.
One, some psychic mediums see spirits. Not every spirit chooses to show himself or herself to a psychic medium who has this ability, but many of them do. If the psychic medium can see spirits, part of the communication will be based on sight. A psychic medium may see something in their mind’s eye (as an inner vision), or they may see spirits the way they see other people (as a physical manifestation, except the spirits are more ethereal, ghostly).
In the 1860s and 1870s, trance mediums were very popular. Spiritualism generally attracted female adherents, many who had strong interests in social justice. Many trance mediums delivered passionate speeches on abolitionism, temperance, and women's suffrage. Scholars have described Leonora Piper as one of the most famous trance mediums in the history of Spiritualism.