When we first came here to this earth dimension as Spiritual Soul BEings within physical form, we were telepathic beings free from needing voice or even written communication to gift the ability of communication with other souls as telepathy was and still is if we so choose it to be a form of spiritual communication. It is a picking up on the spiritual energy and spiritual BEing within the physical being that you are. This exists beyond what we call here on the earth dimension as time and space. However, since we are Spiritual Soul BEings choosing a human form experience and within choosing a physical form we remember the Spiritual Soul BEing we are, we choose to play the game of written and auditory words within this Life Experience on this earth dimension. Thus here we are.
Between 8 November and 31 December 1920 Gustav Geley of the Institute Metapsychique International attended fourteen séances with the medium Franek Kluski in Paris. A bowl of hot paraffin was placed in the room and according to Kluski spirits dipped their limbs into the paraffin and then into a bath of water to materialize. Three other series of séances were held in Warsaw in Kluski's own apartment, these took place over a period of three years. Kluski was not searched in any of the séances. Photographs of the molds were obtained during the four series of experiments and were published by Geley in 1924. Harry Houdini replicated the Kluski materialization moulds by using his hands and a bowl of hot paraffin.
The "passage" here is made by an older Englishwoman, Mrs. Moore, traveling to India to see her son, a British civil servant. She heads East in search of a larger view, but initially she encounters fragmentation. Hindu, Muslim, and British India are not merely different worldviews but virtually parallel worlds. Most of the English keep to themselves, but Mrs. Moore ventures out into a teeming world in which the natural is always deeply infused with the supernatural, where "to realize what God is seems more important than to do what God wants." Forster portrays her spiritual journey so authoritatively that we find ourselves, like Mrs. Moore, enlightened and overwhelmed by her new world, as she tentatively feels her way toward a comprehensive nonattachment which is finally more Hindu than British.
The magician Julien Proskauer revealed that the levitating trumpet of Jack Webber was a trick. Close examination of photographs reveal Webber to be holding a telescopic reaching rod attached to the trumpet, and sitters in his séances only believed it to have levitated because the room was so dark they could not see the rod. Webber would cover the rod with crepe paper to disguise its real construction.
Growing up in the 1950s, I felt lost amid the materialism and shallow sunniness of the postwar culture; I longed for some overarching meaning. Then I came across books by two novelists, Jack Kerouac and J.D. Salinger, that opened my eyes to an entirely new way of looking at the world. I had not known that books could do this. These novels made life seem a much more mysterious and rich experience than I had imagined. At heart, they were books about spiritual journeys, and they made spirituality seem hip and wonderful. They also introduced me to the Buddhist concept of "right livelihood," thereby ultimately changing my life, for in time I gave up a lucrative career as a missile engineer to become a novelist and teacher of literature. Today, these novels have become spiritual classics, timeless books that provide special wisdom and insight for readers grappling with life's thorniest philosophical dilemmas. The novel as an art form originally came into being as bourgeois entertainment concerned with everyday matters, such as money, success, and ambition. Paradoxically, its very concreteness, which requires the novelist to create plausible characters operating in a credible world, makes the novel an ideal vehicle for exploring spiritual themes and presenting unorthodox worldviews. The best-selling novelists of our time seem not to understand this; but over the past century or so, the form's masters have put this opportunity to especially good use. Their handiwork includes, among others, the following 10 spiritual classics (including a novella, a short story collection, and one novel-like sacred scripture). I cherish these volumes as old friends and teachers; your summer reading experience will be greatly enhanced by packing one or more of these treasures in your travel bag.
The 18th century saw tarot's greatest revival, during which it became one of the most popular card games in Europe, played everywhere except Ireland and Britain, the Iberian peninsula, and the Ottoman Balkans. French tarot experienced a revival beginning in the 1970s and France has the strongest tarot gaming community. Regional tarot games—often known as tarock, tarok, or tarokk are widely played in central Europe within the borders of the former Austro-Hungarian empire.
No, there is no set time limit. I’ve had spirit people come through many years after they’ve passed away — sometimes 30, 40, or even 50 years — or it could be as soon as one day. A friend of mine, Michael, passed away sadly due to complications from AIDS some years ago, and I remember being in his and his partner’s home for the memorial service. His partner had spent some time setting up a room upstairs beautifully, with a handsome picture of Michael with some of the amazing artworks that he had drawn during his lifetime. While I was saying my goodbyes, I heard his voice speak softly in my ear: “John, please tell Amanda that I will do what I can from here to help her with money.”
Graphic designer and artist Bill Wolf, whose interest in tarot illustration dates to his art-school days at Cooper Union in New York, has his own theories about the tarot’s beginning. Wolf, who doesn’t use cards for divination, believes that originally, “the meaning of the imagery was parallel to the mechanics of the play of the game. The random draw of the cards created a new, unique narrative each and every time the game was played, and the decisions players made influenced the unfolding of that narrative.” Imagine a choose-your-own-adventure style card game.
German-suited decks for Bauerntarock, Württemberg Tarock and Bavarian Tarock are different. They are not true tarot/tarock packs, but a Bavarian or Württemberg pattern of the standard German-suited decks with only 36 cards; the pip cards ranging from 6 to 10, Under Knave (Unter), Over Knave (Ober), King, and Ace. These use Ace-Ten ranking, like Klaverjas, where Ace is the highest followed by 10, King, Ober, Unter, then 9 to 6. The heart suit is the default trump suit. The Bavarian deck is also used to play Schafkopf by excluding the Sixes.
The process is known as synchronicity, a term coined by psychologist Carl Jung to describe the temporally coincident occurrence of events. In synchronicity, there is no distinction between inner and outer. The choice of a card is exactly what your higher self already knows. This is what tarot occultists call the conversation with your higher self. The cards always work. It’s not magic—tarot cards are a sacred mirror.
You don't have to be a professional medium to sense the presence of Spirit, anyone can get this ability. And there are two types of onset - one onset later in life, and one early on. Think: like Type 1 and Type 2 diabetes. One has to do more with heredity and genetics (we think), and the other has more to do more with certain weatherings of life experience that make you more susceptible to it.
We can all help psychic mediums to have an extremely clear path while on stage, or in a private reading, by sending them our love and acceptance. Say a little prayer to help the psychic medium receive perfect clarity in their communication. Don’t sit there with your arms folded and an angry look on your face. Lighten up. Relax. Have fun. One message that often comes through for people from their spirit-guides is that they need to lighten up—don’t be so serious! Many spirits have communicated to psychic mediums that when they crossed-over to the spirit world and looked back at their life, they were regretful that they were so darn serious and didn’t have more fun while they were here.
The first thing you should know before going to a medium demonstration or private reading is that psychic mediums are basically a human telephone to the spirit world—they communicate with spirits. Unfortunately, they are a telephone without a dial. A psychic medium can’t just call up anyone from the spirit world with whom you want to talk. Instead, you get whoever is on the other end when the psychic medium “links” with the spirit world.
“Quite recently, it was discovered by Mary Greer that there was a prior source to the Lenormand cards,” she continues. “There’s a deck in the British Museum called ‘Les Amusements des Allemands’ (‘The German Entertainment’). Basically, a British firm put together a pack of cards that has images and little epigrams on the bottom, which say things like, ‘Be aware, don’t spend your money unwisely,’ and that sort of thing. It’s quite trite. But it came with a book of text that’s almost identical to the instructions for later packs of Lenormand cards.”
First Spiritual Reading is Free When you contact a psychic for the first time on Keen, you can get a free spiritual reading (3 minutes free) when you register. Once your first three minutes are up, you will be asked to authorize payment if you wish to continue the call. Keen will never charge your card without your permission. If you prefer not to talk on the phone with your psychic advisor, you can initiate an online chat or email instead. Regardless of how you connect with the psychic reader, you can find all the answers you need from the comfort and anonymity of your home 24/7.
In 1880 the American stage mentalist Washington Irving Bishop published a book revealing how mediums would use secret codes as the trick for their clairvoyant readings. The Seybert Commission was a group of faculty at the University of Pennsylvania who in 1884–1887 exposed fraudulent mediums such as Pierre L. O. A. Keeler and Henry Slade. The Fox sisters confessed to fraud in 1888. Margaret Fox revealed that she and her sister had produced the "spirit" rappings by cracking their toe joints.
The oldest surviving tarot cards are the 15 or so Visconti-Sforza tarot decks painted in the mid-15th century for the rulers of the Duchy of Milan. A lost tarot-like pack was commissioned by Duke Filippo Maria Visconti and described by Martiano da Tortona probably between 1418 and 1425, since the painter he mentions, Michelino da Besozzo, returned to Milan in 1418, while Martiano himself died in 1425. He described a 60-card deck with 16 cards having images of the Greek gods and suits depicting four kinds of birds. The 16 cards were regarded as "trumps" since in 1449 Jacopo Antonio Marcello recalled that the now deceased duke had invented a novum quoddam et exquisitum triumphorum genus, or "a new and exquisite kind of triumphs". Other early decks that also showcased classical motifs include the Sola-Busca and Boiardo-Viti decks of the 1490s.
They can’t interfere with the lessons you need to learn while you’re here. I remember a woman who was thrilled that her mother came through during our session. She wanted her mom to tell her if she should divorce her husband. Of course, the mother couldn’t make that decision for her because it wasn’t her job. The woman needed to take responsibility for her own life.
Attempts to communicate with the dead and other living human beings, aka spirits, have been documented back to early human history. The story of the Witch of Endor (In the most recent edition of the NIV witch is rendered medium in the passage) tells of one who raised the spirit of the deceased prophet Samuel to allow the Hebrew king Saul to question his former mentor about an upcoming battle, as related in the Books of Samuel in the Jewish Tanakh (the basis of the Old Testament).