In 1918, Joseph Jastrow wrote about the tricks of Eusapia Palladino who was an expert at freeing her hands and feet from the control in the séance room.[118] In the séance room Palladino would move curtains from a distance by releasing a jet of air from a rubber bulb that she had in her hand.[119] According to the psychical researcher Harry Price "Her tricks were usually childish: long hairs attached to small objects in order to produce 'telekinetic movements'; the gradual substitution of one hand for two when being controlled by sitters; the production of 'phenomena' with a foot which had been surreptitiously removed from its shoe and so on."[120]
He is the King and head honcho. He symbolizes masculine creativity. He represents authority, power, responsibility, leadership, passion and action, and is seen as a symbol of sex, the warrior and defender. He symbolizes new beginnings, competition and aggression. He can represent the father, husband, man in your life, boss, or any authority figure.
In the typical deep trance, the medium may not have clear recall of all the messages conveyed while in an altered state; such people generally work with an assistant. That person selectively wrote down or otherwise recorded the medium's words. Rarely did the assistant record the responding words of the sitter and other attendants. An example of this kind of relationship can be found in the early 20th century collaboration between the trance medium Mrs. Cecil M. Cook of the William T. Stead Memorial Center in Chicago (a religious body incorporated under the statutes of the State of Illinois) and the journalist Lloyd Kenyon Jones. The latter was a non-medium Spiritualist who transcribed Cook's messages in shorthand. He edited them for publication in book and pamphlet form.[25]
Automatic writing is where pen and paper are used by the medium during a meditative or trance-like state. The arm of the medium is taken over, and words are scribbled sometimes quickly, conveying meaning. Artistic spiritual mediums can use spirit drawing. An image of the spirit can be drawn using a clairvoyant impression and artistic skills. The portrait may not always appear identical to how the client remembers them in life, this is because spirits sometimes present themselves how they want to be viewed, perhaps younger in their earthly life.
“I also enjoy reading with the Lenormand deck made by Daveluy, which has been beautifully reworked by Lauren Forestell, who specializes in restoring facsimile decks—cleaning up 200 years’ worth of card shuffling and human grief. The coloring on the Daveluy is very beautiful. Chromolithography gave an incredibly clear color to everything, and I think it was probably as revolutionary as Technicolor was in the days of the movies.”
Each time I link with spirits, they usually appear to be exactly the same as when they were here. People seem to think that those who pass somehow turn into these exalted beings, yet they have the same personality and quirks on the Other-Side as they did before. They’re still upbeat, humorous, strict, or relaxed over there. However, I do believe that spirits progress over time, raise themselves to a higher level, and evolve.
The séance trick of the Eddy Brothers was revealed by the magician Chung Ling Soo in 1898. The brothers utilized a fake hand made of lead, and with their hands free from control would play musical instruments and move objects in the séance room.[96] The physiologist Ivor Lloyd Tuckett examined a case of spirit photography that W. T. Stead had claimed was genuine. Stead visited a photographer who had produced a photograph of him with deceased soldier known as "Piet Botha". Stead claimed that the photographer could not have come across any information about Piet Botha, however, Tuckett discovered that an article in 1899 had been published on Pietrus Botha in a weekly magazine with a portrait and personal details.[97]
Some scientists of the period who investigated spiritualism also became converts. They included chemist Robert Hare, physicist William Crookes (1832–1919) and evolutionary biologist Alfred Russel Wallace (1823–1913).[13][14] Nobel laureate Pierre Curie took a very serious scientific interest in the work of medium Eusapia Palladino.[15] Other prominent adherents included journalist and pacifist William T. Stead (1849–1912)[16] and physician and author Arthur Conan Doyle (1859–1930).[17]
That’s why it’s invisible to the human eye. It’s because it’s vibrating at such a high frequency that we’re unable to see it. Just like a dog whistle, we can’t hear it due to the high pitch, yet a dog can. There’s a thin layer between this world and the next (which I refer to either as “the Other-Side” or “the Spirit World”), and the only thing that separates us is the frequency of the vibrations.

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Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife.[3] Other cave paintings in Indonesia date back a further 10,000 years.[4] Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility.[5][6] Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.[7]
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