The séance trick of the Eddy Brothers was revealed by the magician Chung Ling Soo in 1898. The brothers utilized a fake hand made of lead, and with their hands free from control would play musical instruments and move objects in the séance room. The physiologist Ivor Lloyd Tuckett examined a case of spirit photography that W. T. Stead had claimed was genuine. Stead visited a photographer who had produced a photograph of him with deceased soldier known as "Piet Botha". Stead claimed that the photographer could not have come across any information about Piet Botha, however, Tuckett discovered that an article in 1899 had been published on Pietrus Botha in a weekly magazine with a portrait and personal details.
'Experienced Spirit Mediums'. Experienced? What is there to demonstrate the experience? 'Medium'? I was 'painting' with morality - as I always do. Not also true for mediums - is it? 'Spirit'? What sort of 'spirit' is common to all 'mediums'? Is there a 'spirit' common to all 'mediums'? If so, what is it? For example, I'm not sure the 'spirit' of a 'medium' in Bristol would be identical to the 'spirit' of a 'medium' in, say, Liverpool. Is that, for example, what presents the controversy? But I welcome the research into 'spirit' brains. Indeed, they were psychographed.
That’s why it’s invisible to the human eye. It’s because it’s vibrating at such a high frequency that we’re unable to see it. Just like a dog whistle, we can’t hear it due to the high pitch, yet a dog can. There’s a thin layer between this world and the next (which I refer to either as “the Other-Side” or “the Spirit World”), and the only thing that separates us is the frequency of the vibrations.
The Danish medium Einer Nielsen was investigated by a committee from the Kristiania University in Norway, 1922 and discovered in a séance that his ectoplasm was fake. In 1923 the Polish medium Jan Guzyk was exposed as a fraud in a series of séances in Sorbonne in Paris. Guzyk would use his elbows and legs to move objects around the room and touch the sitters. According to Max Dessoir the trick of Guzyk was to use his "foot for psychic touches and sounds".
In September 1878 the British medium Charles Williams and his fellow-medium at the time, A. Rita, were detected in trickery at Amsterdam. During the séance a materialized spirit was seized and found to be Rita and a bottle of phosphorus oil, muslin and a false beard were found amongst the two mediums. In 1882 C. E. Wood was exposed in a séance in Peterborough. Her Indian spirit control "Pocka" was found to be the medium on her knees, covered in muslin.
The medium Frank Decker was exposed as a fraud in 1932. A magician and séance sitter who called himself M. Taylor presented a mail bag and Decker agreed to lock himself inside it. During the séance objects were moved around the room and it was claimed spirits had released Decker from the bag. It was later discovered to have been a trick as Martin Sunshine, a magic dealer admitted that he sold Decker a trick mail bag, such as stage escapologists use, and had acted as the medium's confederate by pretending to be M. Taylor, a magician. The British medium Estelle Roberts claimed to materialize an Indian spirit guide called "Red Cloud". Researcher Melvin Harris who examined some photographs of Red Cloud wrote the face was the same as Roberts and she had dressed up in a feathered war-bonnet.
In 1781, a French Freemason (and former Protestant minister) named Antoine Court de Gebelin published a complex analysis of the Tarot, in which he revealed that the symbolism in the Tarot was in fact derived from the esoteric secrets of Egyptian priests. De Gebelin went on to explain that this ancient occult knowledge had been carried to Rome and revealed to the Catholic Church and the popes, who desperately wanted to keep this arcane knowledge secret. In his essay, the chapter on Tarot meanings explains the detailed symbolism of Tarot artwork and connects it to the legends of Isis, Osiris and other Egyptian gods.
The psychical researchers Eric Dingwall and Harry Price re-published an anonymous work written by a former medium entitled Revelations of a Spirit Medium (1922) which exposed the tricks of mediumship and the fraudulent methods of producing "spirit hands". Originally all the copies of the book were bought up by spiritualists and deliberately destroyed. In 1923, the magician Carlos María de Heredia revealed how fake spirit hands could be made by using a rubber glove, paraffin and a jar of cold water.
In March 1902 in Berlin, police officers interrupted a séance of the German apport medium Frau Anna Rothe. Her hands were grabbed and she was wrestled to the ground. A female police assistant physically examined Rothe and discovered 157 flowers as well as oranges and lemons hidden in her petticoat. She was arrested and charged with fraud. Another apport medium Hilda Lewis known as the "flower medium" confessed to fraud.
Ray Hyman discovered many methodological errors with Schwartz's research including; "Inappropriate control comparisons", "Failure to use double-blind procedures", "Creating non-falsifiable outcomes by reinterpreting failures as successes" and "Failure to independently check on facts the sitters endorsed as true". Hyman wrote "Even if the research program were not compromised by these defects, the claims being made would require replication by independent investigators." Hyman criticizes Schwartz's decision to publish his results without gathering "evidence for their hypothesis that would meet generally accepted scientific criteria... they have lost credibility."
The Vampire Tarot Introduction Tarot allows us to change our attitudes, to center our minds, and to distinguish the positive from the negative. Tarot enlightens us about the dark and light parts of our personalities, and it has advanced toward solutions to the various matters in question in our lives. Each card has a message, and guides us in decision-making process. Tarot highlights the essential elements of an instance, but final decisions ultimately belong us.
(Everything That Rises Must Converge), Flannery O'Connor put the twisted vision and dark humor of Southern Gothic fiction to spiritual purposes. Though O'Connor, a rural Southerner, knew she would die young of lupus, she remained a faithful Catholic. Indeed, she was determined to undermine the '50s worldview which saw science and logic as steadily leading us to becoming a society based on rationality, consumerism, and progress, which would make God superfluous. Acutely aware of the extremes of religion in the South, she nonetheless preferred that "God-haunted" region to a bland world produced by advertising. She believed the supernatural lay just below the surface of the everyday, requiring the spiritual artist to portray the mundane world with great care and accuracy, however bizarre some of its events and characters might be. O'Connor saw the potential for mysterious grace in any place where the spirit, though twisted, was still alive. Her writing is powerful, at times violent, often hilarious. Sometimes I find it best to read her a little at a time; her unconquerable wit and her deep, abiding spirituality always shine through.
For the less experienced mediums, exactly the opposite was observed--increased levels of activity in the same frontal areas during psychography compared to normal writing, and the difference was significant compared to the experienced mediums. What this probably means is that the less experienced mediums were trying really hard. The force is not yet strong with them.
"Pull a card and put it under your pillow at night. Let the energy of that card seep into your dreams," she said. "Wake up in the morning; observe the card. Read about what its different meanings are. Is it the major arcana or minor? Is it connected to one of the elements - fire (wands), water (cups), air (swords), or earth (pentacles)? Then notice during the day what happens that might have been a sign from the cards. It's pretty cool when you start connecting the messages."
The Polish medium Stanisława Tomczyk's levitation of a glass beaker was exposed and replicated in 1910 by the magician William S. Marriott by means of a hidden thread. The Italian medium Lucia Sordi was exposed in 1911, she was bound to a chair by psychical researchers but would free herself during her séances. The tricks of another Italian medium Linda Gazzera were revealed in the same year, she would release her hands and feet from control in her séances and use them. Gazzera would not permit anyone to search her before a séance sitting, as she concealed muslin and other objects in her hair.
Not all psychics are mediums, but all mediums are psychic. A psychic uses psychic skills to read the energies of people (spirits incarnate as human) within the earthly realm. A spiritual medium uses psychical skills to read the energies of spirits within the spirit world. A medium however, is psychic too and this can present a problem. When a client visits, you can pick up on their emotional energies, thoughts and expectations and this can effect the reading you give. You must learn to filter these out through practicing on many people first. You must learn through experience when you're picking up psychic energies or those of spirit. It's hard to describe skills such as these and they must learned within a mediumistic circle or similar group, explained shortly. Ask your client to close their eyes and relax for a few moments before you begin a session. Remind them to be free of expectations so that you do not pick up on them psychically.
Today "demonstration of mediumship" is part of the church service at all churches affiliated with the National Spiritualist Association of Churches (NSAC) and the Spiritualists' National Union (SNU). Demonstration links to NSAC's Declaration of Principal #9. "We affirm that the precepts of Prophecy and Healing are Divine attributes proven through Mediumship."