If you've decided to hire the services of a medium, for whatever reasons, there are a few things you should keep in mind in order to guarantee you get the best session possible. First of all, try to come in with an open mind. You may be feeling skeptical, but if you let that be an issue, it can certainly color your results. A corollary to that is that it's important to be honest about why you're there. If you're only trying to debunk things, or to expose the medium as a fraud, go ahead and admit it up front. A medium who's legitimate will probably still be willing to work with you.
In 1880 the American stage mentalist Washington Irving Bishop published a book revealing how mediums would use secret codes as the trick for their clairvoyant readings.[84] The Seybert Commission was a group of faculty at the University of Pennsylvania who in 1884–1887 exposed fraudulent mediums such as Pierre L. O. A. Keeler and Henry Slade.[85] The Fox sisters confessed to fraud in 1888. Margaret Fox revealed that she and her sister had produced the "spirit" rappings by cracking their toe joints.[86]
There are many varieties of Tarot decks, and there is no standard number of cards across all decks. While the types of cards, the suits and their meanings are the same, the illustrations vary greatly. Decks are based on various themes such as nature, animals, fantasy, dragons, etc. The most common deck in the United States is the Rider-Waite deck, which was created in 1909 by A.E. Waite, a prominent member of the aforementioned occult group The Hermetic Order of the Golden Dawn, and published by Rider & Company. The artist was Pamela Colman Smith. This 78-card deck was the only readily available deck in the United States for many years, which is why some consider it the "definitive" tarot deck in the U.S.
Psychologists and researchers who studied Pearl Curran's automatic writings in the 1930s came to the conclusion Patience Worth was a fictitious creation of Curran.[152][153] In 1931 George Valiantine was exposed as a fraud in the séance room as it was discovered that he produced fraudulent "spirit" fingerprints in wax. The "spirit" thumbprint that Valiantine claimed belonged to Arthur Conan Doyle was revealed to be the print of his big toe on his right foot. It was also revealed that Valiantine made some of the prints with his elbow.[154]
Astral projection Astrology Aura Bilocation Clairvoyance Close encounter Cold spot Conjuration Cryptozoology Demonic possession Demonology Ectoplasm Electronic voice phenomenon Exorcism Extrasensory perception Forteana Ghost hunting Indigo children Magic Mediumship Occult Orb Paranormal fiction Paranormal television Precognition Preternatural Psychic Psychic reading Psychokinesis Psychometry Remote viewing Retrocognition Spirit photography Spirit possession Spirit world Spiritualism Stone Tape Supernatural Telepathy Ufology

In 1908 at a hotel in Naples, the psychical researchers W. W. Baggally, Hereward Carrington and Everard Feilding attended a series of séances with Eusapia Palladino. In a report they claimed that genuine supernatural activity had occurred in the séances, this report became known as the Feilding report.[109] In 1910, Feilding returned to Naples, but this time accompanied with the magician William S. Marriott. Unlike the 1908 sittings, Feilding and Marriott detected her cheating, just as she had done in America. Her deceptions were obvious. Palladino evaded control and was caught moving objects with her foot, shaking the curtain with her hands, moving the cabinet table with her elbow and touching the séance sitters. Milbourne Christopher wrote regarding the exposure "when one knows how a feat can be done and what to look for, only the most skillful performer can maintain the illusion in the face of such informed scrutiny."[110]
heyJessica i’m kind of worried i’m really confused i can control the wind by using my mind and i think i saw my spirit guide or an angel or mother nature in a dream i don’t know if i can talk to the dead…Im scared of myself Im scared of my abilities and i don’t want to do any protection spells but i’m scared of demons and the devil…Maybe if u can grant me protection or get one of your guides to help protect me or something this whole thing gives me the creeps…i also can feel other peoples emotions but usually only the negative ones which causes me to have panic attacks for no reason…please if you could reply and help me that would be so helpful :) ( I can also tell when i’m going to see someone at the shops)
I work for the highest good, consider myself a child of God, and believe in a Higher Power; therefore, I wouldn’t attract this type of energy. I’m not that keen to call them “bad spirits,” as I’d rather refer to them as spirits that exist at a lower vibration and dwell in the lower spheres of the Spirit World. They’re just farther away from the Divine Source, so it will take longer for them to reach a higher level.

He is the King and head honcho. He symbolizes masculine creativity. He represents authority, power, responsibility, leadership, passion and action, and is seen as a symbol of sex, the warrior and defender. He symbolizes new beginnings, competition and aggression. He can represent the father, husband, man in your life, boss, or any authority figure.
In 1891 at a public séance with twenty sitters the medium Cecil Husk was caught leaning over a table pretending to be a spirit by covering his face with phosphor material.[87] The magician Will Goldston also exposed the fraud mediumship of Husk. In a séance Goldston attended a pale face materialization appeared in the room. Goldston wrote "I saw at once that it was a gauze mask, and that the moustache attached to it was loose at one side through lack of gum. I pulled at the mask. It came away, revealing the face of Husk."[88] The British materialization medium Annie Fairlamb Mellon was exposed as a fraud on October 12, 1894. During the séance a sitter seized the materialized spirit, and found it to be the Mellon on her knees with white muslin on her head and shoulders.[89]
Matthews’ favorite decks are those with straightforward illustrations, like the Tarocchino Bolognese by Giuseppe Maria Mitelli, an Italian deck created sometime around the 1660s. Matthews owns a facsimile of the Mitelli deck, rather than an original, which means she can use them without fear of damaging a priceless antique. “The deck that I enjoy most is the Mertz Lenormand deck because of its clarity,” she says. “The background on each card is a creamy, vellum color, so when you lay them out in tableau, you can see the illustrations very clearly. I frankly get so tired of all the new Photoshopped tarots and the slick art, with their complete lack of any framework or substance.
If you've decided to hire the services of a medium, for whatever reasons, there are a few things you should keep in mind in order to guarantee you get the best session possible. First of all, try to come in with an open mind. You may be feeling skeptical, but if you let that be an issue, it can certainly color your results. A corollary to that is that it's important to be honest about why you're there. If you're only trying to debunk things, or to expose the medium as a fraud, go ahead and admit it up front. A medium who's legitimate will probably still be willing to work with you.
Your spiritual reading will also be influenced by the personality of the psychic, medium or clairvoyant who is giving you a reading. Some spiritual readers are able to translate the spiritual information they receive in a language that is easy to relate to and understand. There are however, some spiritual readers who choose to impart insight and information in a more dramatic manner, so do not be surprised when they start talking about angels, spirit and your Higher Self.
Keep your options open: If you have the answer before the reading, then you're not allowing the cards to guide your overall decision. Bunning offers this example: Asking how you could encourage your mother-in-law to move out, as opposed to asking how you can get along better with her, is narrowing the scope of the true question by answering it before you even get started.
Jump up ^ Joseph McCabe. (1920). Spiritualism: A Popular History from 1847. Dodd, Mead and Company. pp. 110–12. A Mr. Merrifield was present at one of the sittings. Home's usual phenomena were messages, the moving of objects (presumably at a distance), and the playing of an accordion which he held with one hand under the shadow of the table. But from an early date in America he had been accustomed occasionally to "materialise" hands (as it was afterwards called). The sitters would, in the darkness, faintly see a ghostly hand and arm, or they might feel the touch of an icy limb. Mr. Merrifield and the other sitters saw a "spirit-hand" stretch across the faintly lit space of the window. But Mr. Merrifield says that Home sat, or crouched, low in a low chair, and that the "spirit-hand" was a false limb on the end of Home's arm. At other times, he says, he saw that Home was using his foot."
Teacher and publisher Jean-Baptiste Alliette wrote his first book on the tarot in 1791, called “Etteilla, ou L’art de lire dans les cartes,” meaning “Etteilla, or the Art of Reading Cards.” (Alliette created this mystical pseudonym “Etteilla” simply by reversing his surname.) According to Etteilla’s writings, he first learned divination with a deck of 32 cards designed for a game called Piquet, along with the addition of his special Etteilla card. This type of card is known as the significator and typically stands in for the individual having their fortune read.

In 1910 at a séance in Grenoble, France the apport medium Charles Bailey produced two live birds in the séance room. Bailey was unaware that the dealer he had bought the birds from was present in the séance and he was exposed as a fraud.[111] The psychical researcher Eric Dingwall observed the medium Bert Reese in New York and claimed to have discovered his billet reading tricks.[112] The most detailed account at exposing his tricks (with diagrams) was by the magician Theodore Annemann.[113]


Teacher and publisher Jean-Baptiste Alliette wrote his first book on the tarot in 1791, called “Etteilla, ou L’art de lire dans les cartes,” meaning “Etteilla, or the Art of Reading Cards.” (Alliette created this mystical pseudonym “Etteilla” simply by reversing his surname.) According to Etteilla’s writings, he first learned divination with a deck of 32 cards designed for a game called Piquet, along with the addition of his special Etteilla card. This type of card is known as the significator and typically stands in for the individual having their fortune read.
In 1936, the psychical researcher Nandor Fodor tested the Hungarian apport medium Lajos Pap in London and during the séance a dead snake appeared. Pap was searched and was found to be wearing a device under his robe, where he had hidden the snake.[157] A photograph taken at a séance in 1937 in London shows the medium Colin Evans "levitating" in mid air. He claimed that spirits had lifted him. Evans was later discovered to be a fraud as a cord leading from a device in his hand has indicated that it was himself who triggered the flash-photograph and that all he had done was jump from his chair into the air and pretend he had levitated.[158]
Communicating with the spirit world daily keeps you in touch with spirit companions, spirit guides, and the universal consciousness, it also allows for in-pourings of infinite intelligent energy. You may discover that your abilities are rather more developed than you had previously imagined and wish to help others with your newly discovered gifts - and you can. Being a spiritual medium can provide enormous amounts of healing to people. For example, providing comfort by showing beyond all doubt that a woman's husband still lives-on in spirit, or confirming to a skeptic that death is not the end, or conveying to a client that her father is pleased with her achievements. Imagine how this can make people feel.

Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife.[3] Other cave paintings in Indonesia date back a further 10,000 years.[4] Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility.[5][6] Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.[7]
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