Visiting a psychic reader can be lightly entertaining or profoundly revealing, depending on what you are looking for. Take a professional approach to consulting a medium, and keep a level head when accepting advice or guidance Don’t get so wrapped up in the spiritual world that you are unable to fully enjoy this one. Above all, don’t be misled into thinking the psychic medium has extraordinary powers until you see proof.
In contrast to most oracle decks, which don’t include suited pip cards, Lenormand cards feature a unique combination of numbered playing-card imagery on top of illustrated scenes used for fortune-telling. “One of the earliest versions, called the Game of Hope, was made by a German named J.K. Hechtel and was prepared like a board game,” says Matthews. “You laid out cards 1 to 36, and the object of the game was to throw the dice and move your tokens along it. If you got to card 35, which was the anchor card, then you’re home, safe and dry. But if you went beyond that, it was the cross, which was not so good. It was like the game Snakes and Ladders.” In this way, the Game of Hope fell into the Victorian-era tradition of board games that determined a player’s life story based on luck.
I think fiction novels from a Catholic author or with a Catholic subject have their place here. Although Graham Greene’s The Power and the Glory tells the story of a whiskey priest in 1930s Mexico, the story is really about sin, grace, and redemption. G.K. Chesterton’s Father Brown Mysteries feature a clever priest-sleuth and a spiritual lesson in every story. And, J.R.R. Tolkien’s Lord of the Rings is a masterful epic with Catholic symbolism at every turn. Willa Cather wrote quite a few books; among them, Shadows on the Rock and Death Comes for the Archbishop have strong Catholic influences and characters. Louis de Wohl’s historical fiction novels breathe life into heroic saints.
Healing and gifting to Spirit the energetic patterns that seem to provide the illusion of holding a soul from being in an Amaranthine of Spiritual Oneness, will assist you in shifting into the resonance of Absoulute Love, Bliss, and Inspiration within your Life. Come to remember, embrace, and treasure how to Multi~Dimensionally Travel within the infinite Life Experiences we experience simultaneously and instantaneously and how to shift and change the energetic cyclical patterns that you have chosen to experience within this Life Experience. We often call these past lives and yet our lives are being lived all at once.
In 1907, Hereward Carrington exposed the tricks of fraudulent mediums such as those used in slate-writing, table-turning, trumpet mediumship, materializations, sealed-letter reading and spirit photography. between 1908 and 1914 the Italian medium Francesco Carancini was investigated by psychical researchers and they discovered that he used phosphorus matches to produce "spirit lights" and with a freed hand would move objects in the séance room.
Playing cards first entered Europe in the late 14th century, most likely from Mamluk Egypt, with suits of Batons or Polo sticks (commonly known as Wands by those practicing occult or divinatory tarot), Coins (commonly known as disks, or pentacles in occult or divinatory tarot), Swords, and Cups. These suits were very similar to modern tarot divination decks and are still used in traditional Italian, Spanish and Portuguese playing card decks.
The oldest surviving tarot cards are the 15 or so Visconti-Sforza tarot decks painted in the mid-15th century for the rulers of the Duchy of Milan. A lost tarot-like pack was commissioned by Duke Filippo Maria Visconti and described by Martiano da Tortona probably between 1418 and 1425, since the painter he mentions, Michelino da Besozzo, returned to Milan in 1418, while Martiano himself died in 1425. He described a 60-card deck with 16 cards having images of the Greek gods and suits depicting four kinds of birds. The 16 cards were regarded as "trumps" since in 1449 Jacopo Antonio Marcello recalled that the now deceased duke had invented a novum quoddam et exquisitum triumphorum genus, or "a new and exquisite kind of triumphs". Other early decks that also showcased classical motifs include the Sola-Busca and Boiardo-Viti decks of the 1490s.
4) Please have patience during a reading. I know that you are eager to connect with your loved ones, but sometimes others from spirit will come through first, (even pets) before the person you are looking to communicate with. Allow those other spirits the time to connect with you as well. They may have a message for another family member or neighbor or coworker that can be very healing to the person you relay the message to. It is an effort for the spirit to communicate, and their effort need to be acknowledged and respected.
No, it really doesn’t work like that. Just like us, spirits have free will — mediums don’t have power over them. Most of the time, you’ll hear from the ones you’re hoping will come through with a message for you, but it’s rare that a medium will guarantee who’s going to come through. I’ve done many a reading with people who want to connect with a specific person, but end up hearing from someone they never expected. It isn’t a case of 1-800-Dial-the-Dead! Just such a situation happened recently when I sat with a client named Vivian who had great trouble walking, so I agreed to go to her home.
However, using cards for playful divination probably goes back even further, to the 14th century, likely originating with Mamluk game cards brought to Western Europe from Turkey. By the 1500s, the Italian aristocracy was enjoying a game known as “tarocchi appropriati,” in which players were dealt random cards and used thematic associations with these cards to write poetic verses about one another—somewhat like the popular childhood game “MASH.” These predictive cards were referred to as “sortes,” meaning destinies or lots.
The ancestors of what we today know as Tarot cards can be traced back to around the late fourteenth century. Artists in Europe created the first playing cards, which were used for games, and featured four different suits. These suits were similar to what we still use today – staves or wands, discs or coins, cups, and swords. After a decade or two of using these, in the mid-1400s, Italian artists began painting additional cards, heavily illustrated, to add into the existing suits.
Rebecca Rosen has served as a bridge between this world and those who have crossed over to the other side for the past 10 years. Her work has led to many guest appearances, including Entertainment Tonight, The Rachael Ray Show and Nightline, and her first book, Spirited: Connect to the Guides All Around You (HarperCollins). Due to the high and growing demand for spiritual truth, she has committed herself fulltime to serving as a medium and also educates thousands of people around the country with her seminars, lectures and workshops. Learn more about Rosen by visiting her website.
'Experienced Spirit Mediums'. Experienced? What is there to demonstrate the experience? 'Medium'? I was 'painting' with morality - as I always do. Not also true for mediums - is it? 'Spirit'? What sort of 'spirit' is common to all 'mediums'? Is there a 'spirit' common to all 'mediums'? If so, what is it? For example, I'm not sure the 'spirit' of a 'medium' in Bristol would be identical to the 'spirit' of a 'medium' in, say, Liverpool. Is that, for example, what presents the controversy? But I welcome the research into 'spirit' brains. Indeed, they were psychographed.
Growing up in the 1950s, I felt lost amid the materialism and shallow sunniness of the postwar culture; I longed for some overarching meaning. Then I came across books by two novelists, Jack Kerouac and J.D. Salinger, that opened my eyes to an entirely new way of looking at the world. I had not known that books could do this. These novels made life seem a much more mysterious and rich experience than I had imagined. At heart, they were books about spiritual journeys, and they made spirituality seem hip and wonderful. They also introduced me to the Buddhist concept of "right livelihood," thereby ultimately changing my life, for in time I gave up a lucrative career as a missile engineer to become a novelist and teacher of literature. Today, these novels have become spiritual classics, timeless books that provide special wisdom and insight for readers grappling with life's thorniest philosophical dilemmas. The novel as an art form originally came into being as bourgeois entertainment concerned with everyday matters, such as money, success, and ambition. Paradoxically, its very concreteness, which requires the novelist to create plausible characters operating in a credible world, makes the novel an ideal vehicle for exploring spiritual themes and presenting unorthodox worldviews. The best-selling novelists of our time seem not to understand this; but over the past century or so, the form's masters have put this opportunity to especially good use. Their handiwork includes, among others, the following 10 spiritual classics (including a novella, a short story collection, and one novel-like sacred scripture). I cherish these volumes as old friends and teachers; your summer reading experience will be greatly enhanced by packing one or more of these treasures in your travel bag.
In old-line Spiritualism, a portion of the services, generally toward the end, is given over to demonstrations of mediumship through contact with the spirits of the dead. A typical example of this way of describing a mediumistic church service is found in the 1958 autobiography of C. Dorreen Phillips. She writes of the worship services at the Spiritualist Camp Chesterfield in Chesterfield, Indiana: "Services are held each afternoon, consisting of hymns, a lecture on philosophy, and demonstrations of mediumship."