In 1907, Hereward Carrington exposed the tricks of fraudulent mediums such as those used in slate-writing, table-turning, trumpet mediumship, materializations, sealed-letter reading and spirit photography. between 1908 and 1914 the Italian medium Francesco Carancini was investigated by psychical researchers and they discovered that he used phosphorus matches to produce "spirit lights" and with a freed hand would move objects in the séance room.
Present - The next card, the middle card, represents your present state of being. This card helps you gain perspective on where you are right at this moment, what you are up against and what you have to work with. It may reveal things you are reluctant to acknowledge. For example, you may learn that your current efforts are in vain or that someone you trusted is shifty. On the other hand, you will also learn where your powers lay which you can nourish and grow into the future.
Through channeling, we are able to connect to your Akashic Record to find out what your purpose is and what lessons you are supposed to be learning. Many times, we will find ourselves in the same situations, relationships, etc. until we learn the intended lesson and grow from it. Many times, our clients find this to be the biggest “aha!” moment for them when they can see the bigger picture and learn what they were supposed to learn.
A simple question, yet with such an important answer! Well, my belief is that it isn’t above us or below us — it’s actually all around us. I was taught to believe that everything is made up of energy and vibrations. The vibrations of this physical world where we exist in human form are slow and dense, whereas the Spirit World vibrates at a much higher rate.
Psychologists and researchers who studied Pearl Curran's automatic writings in the 1930s came to the conclusion Patience Worth was a fictitious creation of Curran. In 1931 George Valiantine was exposed as a fraud in the séance room as it was discovered that he produced fraudulent "spirit" fingerprints in wax. The "spirit" thumbprint that Valiantine claimed belonged to Arthur Conan Doyle was revealed to be the print of his big toe on his right foot. It was also revealed that Valiantine made some of the prints with his elbow.
St. Augustine of Hippo, considered one of the greatest Fathers of the Church, converted to the Catholic Church upon hearing a boy tell him" "Take, read; take, read." He recounted that "I took (the epistles of Paul the Apostle), I opened, I read in silence; it was as though the darkness of all my doubting was driven away by the light of peace which had entered my soul."
According to the magician John Booth the stage mentalist David Devant managed to fool a number of people into believing he had genuine psychic ability who did not realize that his feats were magic tricks. At St. George's Hall, London he performed a fake "clairvoyant" act where he would read a message sealed inside an envelope. The spiritualist Oliver Lodge who was present in the audience was duped by the trick and claimed that Devant had used psychic powers. In 1936 Devant in his book Secrets of My Magic revealed the trick method he had used.
The biggest problem with de Gebelin’s work is that there was really no historical evidence to support it. However, that didn’t stop wealthy Europeans from jumping onto the esoteric knowledge bandwagon, and by the early nineteenth century, playing card decks like the Marseille Tarot were being produced with artwork specifically based on deGebelin’s analysis.
"Trance mediumship" is often seen as a form of mental mediumship. Most trance mediums remain conscious during a communication period, wherein a spirit uses the medium's mind to communicate. The spirit or spirits using the medium's mind influences the mind with the thoughts being conveyed. The medium allows the ego to step aside for the message to be delivered. At the same time, one has awareness of the thoughts coming through and may even influence the message with one's own bias. Such a trance is not to be confused with sleepwalking, as the patterns are entirely different. Castillo (1995) states,
Thus, I am able to tap into the soul of who you are, as this soul resides within the physical body that you call yourself to be whatever earth dimension name you have gifted yourself for this Life Experience, and by tapping into this, I can gift you the reading or clear channel of healing for whatever it is that your soul and your spirit guides wish for you to know. This can be based upon a question that you ask of me, or me simply just tuning in to you on a soulful resonance. I am free from needing to speak with you or see you physically in your human form person to be able to do this and be this as this occurs on a soulful resonance. Yes, there is an energy to it, a spiritual energy of connection on a soulful resonance, tapping into the soul of which the physical body resides in, the two BEing as One.
A series of mediumistic séances known as the Scole Experiment took place between 1993 and 1998 in the presence of the researchers David Fontana, Arthur Ellison and Montague Keen. This has produced photographs, audio recordings and physical objects which appeared in the dark séance room (known as apports). A criticism of the experiment was that it was flawed because it did not rule out the possibility of fraud. The skeptical investigator Brian Dunning wrote the Scole experiments fail in many ways. The séances were held in the basement of two of the mediums, only total darkness was allowed with no night vision apparatus as it might "frighten the spirits away". The box containing the film was not examined and could easily have been accessible to fraud. And finally, even though many years have passed, there has been no follow-up, no further research by any credible agency or published accounts.
Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife. Other cave paintings in Indonesia date back a further 10,000 years. Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility. Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.