(Everything That Rises Must Converge), Flannery O'Connor put the twisted vision and dark humor of Southern Gothic fiction to spiritual purposes. Though O'Connor, a rural Southerner, knew she would die young of lupus, she remained a faithful Catholic. Indeed, she was determined to undermine the '50s worldview which saw science and logic as steadily leading us to becoming a society based on rationality, consumerism, and progress, which would make God superfluous. Acutely aware of the extremes of religion in the South, she nonetheless preferred that "God-haunted" region to a bland world produced by advertising. She believed the supernatural lay just below the surface of the everyday, requiring the spiritual artist to portray the mundane world with great care and accuracy, however bizarre some of its events and characters might be. O'Connor saw the potential for mysterious grace in any place where the spirit, though twisted, was still alive. Her writing is powerful, at times violent, often hilarious. Sometimes I find it best to read her a little at a time; her unconquerable wit and her deep, abiding spirituality always shine through.
Psychometry can be used to initiate and strengthen contact with spirit. This is where the energy of a person has been transferred onto a personal possession such as a hat or a pipe for smoking. Holding the object causes the energy signature of the previous owner to be effectively broadcast out into the universe (distance in not a factor in spiritual dimensions), strengthening contact by aligning the energy vibrations.
If the words "spiritual medium" call to mind cheap velvet cushions and crystal balls, you're in good company. But a session with Gabriel feels like an amazing conversation with a therapist you've seen for years; she's down-to-earth, astute and totally professional. She gives in-person readings for larger groups and individual readings over the phone. View Profile »
Mediums can bring messages from your loved ones (humans and beloved pets) who have passed over and also offer evidence that there is life after death. If there is a specific person who you would like to connect with, via a medium, that is often possible but even if a particular spirit is not ready to come through a medium should be able to give you information that will be of comfort because there will almost certainly be a spirit connected to the medium who will be able to give the evidence you need for reassurance.
The VERITAS Research Program of the Laboratory for Advances in Consciousness and Health in the Department of Psychology at the University of Arizona, run by the parapsychologist Gary Schwartz, was created primarily to test the hypothesis that the consciousness (or identity) of a person survives physical death. Schwartz claimed his experiments were indicative of survival, but do not yet provide conclusive proof. The experiments described by Schwartz have received criticism from the scientific community for being inadequately designed and using poor controls.
Automatic writing is where pen and paper are used by the medium during a meditative or trance-like state. The arm of the medium is taken over, and words are scribbled sometimes quickly, conveying meaning. Artistic spiritual mediums can use spirit drawing. An image of the spirit can be drawn using a clairvoyant impression and artistic skills. The portrait may not always appear identical to how the client remembers them in life, this is because spirits sometimes present themselves how they want to be viewed, perhaps younger in their earthly life.
The poet Robert Browning and his wife Elizabeth attended a séance on 23, July 1855 in Ealing with the Rymers. During the séance a spirit face materialized which Home claimed was the son of Browning who had died in infancy. Browning seized the "materialization" and discovered it to be the bare foot of Home. To make the deception worse, Browning had never lost a son in infancy. Browning's son Robert in a letter to The Times, December 5, 1902 referred to the incident "Home was detected in a vulgar fraud." The researchers Joseph McCabe and Trevor H. Hall exposed the "levitation" of Home as nothing more than his moving across a connecting ledge between two iron balconies.
In 1907, Hereward Carrington exposed the tricks of fraudulent mediums such as those used in slate-writing, table-turning, trumpet mediumship, materializations, sealed-letter reading and spirit photography. between 1908 and 1914 the Italian medium Francesco Carancini was investigated by psychical researchers and they discovered that he used phosphorus matches to produce "spirit lights" and with a freed hand would move objects in the séance room.
The word tarot and German Tarock derive from the Italian tarocchi, the origin of which is uncertain but taroch was used as a synonym for foolishness in the late 15th and early 16th centuries. The decks were known exclusively as trionfi during the fifteenth century. The new name first appeared in Brescia around 1502 as tarocho. During the 16th century, a new game played with a standard deck but sharing a very similar name (trionfa) was quickly becoming popular. This coincided with the older game being renamed tarocchi. In modern Italian, the singular term is tarocco, which, as a noun, means a type of blood orange, and, as an adjective, means 'fake, counterfeit'.
Yes, it’s certainly possible. My type of mediumship works on a mental level, as I receive images and words through the power of thought, so there’s no language barrier. I’ve read for Ethiopians, Chinese, Latinos, Brazilians, Japanese, and many more. Each time I connect with someone who has lived in another country, I always feel their culture, comprehend their language, and understand their experiences. In a funny sort of way, it’s almost as if I’m actually there.
The power of the mind, when it is NOT controlled by the conscious awareness of the owner, receives suggestions every second of the day about how it should think, act or respond — impulse. The individual is nothing more than a puppet controlled and programmed by an out of control, chaotic mind. When a being develops awareness and becomes conscious about the events that are taking place around them, they can decide what information to allow in and what information to eliminate. Thus, they become responsible for their life and everything that takes place within it. They no longer require someone to tell them the answers to their questions about probable outcomes, they know that they have the power to create the outcome based on the thoughts and actions they project. They are now able to consciously manifest the life that is in alignment with their dreams, based on their sincere intent and the impeccability of their actions.
Well, here is where things might be a little more “out there” and magical. You see, we are all connected to a collective, universal wisdom and our inner wisdom. And when we read the Tarot cards—and connect with our intuition—we can tap into this universal wisdom. It’s a little like connecting in with the collective mind, not just the individual mind.
When you ask the Tarot cards a question on behalf of someone else (who has given permission for the reading and whose energy is invested in the reading), you are tapping into this collective wisdom. You are picking up all sorts of intuitive messages through the Tarot cards and through your connection with the collective wisdom. And those insights are channeled through you to the person you’re reading for, often in a very powerful way.
The spiritualists Arthur Conan Doyle and W. T. Stead were duped into believing Julius and Agnes Zancig had genuine psychic powers. Both Doyle and Stead wrote that the Zancigs performed telepathy. In 1924 Julius and Agnes Zancig confessed that their mind reading act was a trick and published the secret code and all the details of the trick method they had used under the title of Our Secrets!! in a London Newspaper.
But here's the interesting part: the writing samples produced were analyzed and it was found that the complexity scores for the psychographed content were higher than those for the control writing across the board. In particular, the more experienced mediums showed higher complexity scores, which typically would require more activity in the frontal and temporal lobes--but that's precisely the opposite of what was observed.
In 1918, Joseph Jastrow wrote about the tricks of Eusapia Palladino who was an expert at freeing her hands and feet from the control in the séance room. In the séance room Palladino would move curtains from a distance by releasing a jet of air from a rubber bulb that she had in her hand. According to the psychical researcher Harry Price "Her tricks were usually childish: long hairs attached to small objects in order to produce 'telekinetic movements'; the gradual substitution of one hand for two when being controlled by sitters; the production of 'phenomena' with a foot which had been surreptitiously removed from its shoe and so on."
From time to time, it may be helpful to seek out the counsel of someone objective for guidance or connection with spirit, and/or to gain a clearer read on your life. If a psychic, medium or any other intuitive healer speaks to you, I encourage you to set your intentions and then simply let go and go with the flow. Spirit will guide you as to who and what is in your highest and best good in that moment. Also, please remember that no one knows you better than yourself, and no one has a closer connection with your deceased loved ones and spiritual guides than you do. By learning to go within, listen to and trust your own inner voice, you gain access to everything you'll ever need to know. And what could be better than that?
Some scientists of the period who investigated spiritualism also became converts. They included chemist Robert Hare, physicist William Crookes (1832–1919) and evolutionary biologist Alfred Russel Wallace (1823–1913). Nobel laureate Pierre Curie took a very serious scientific interest in the work of medium Eusapia Palladino. Other prominent adherents included journalist and pacifist William T. Stead (1849–1912) and physician and author Arthur Conan Doyle (1859–1930).