One frequent obstacle with spiritual reading is the question of where to start. There are so many writings of saints, magisterial documents, and enough devotional books and pamphlets to fill a library. Choosing what kind of books to read should have a multi-pronged approach, depending on each individual. I think a great way to organize it is an adaptation of St. John Paul II’s recommendations in Pastores Dabo Vobis. The encyclical was on the training of priests, and he called attention to four basic areas of formation: human, spiritual, intellectual, and pastoral. Even though most of us aren’t ordained priests, we can still apply this to our spiritual reading habits. Good spiritual reads will ideally aid us in all four of those elements—or at least focus on one or two.
At times, a spirit that hasn’t crossed over yet may linger as they have some sort of “unfinished business.” Sometimes, they linger in our homes, cars, or at work. If we sense them during your reading, we will clear them out of your home and help them on their journey by crossing them over or helping them release whatever they were holding onto. Almost all of our clients report a significant “light feeling” in the area where they felt was once dark and “spooky.”
On 4 February 1922, Harry Price with James Seymour, Eric Dingwall and William S. Marriott had proven the spirit photographer William Hope was a fraud during tests at the British College of Psychic Science. Price wrote in his SPR report "William Hope has been found guilty of deliberately substituting his own plates for those of a sitter... It implies that the medium brings to the sitting a duplicate slide and faked plates for fraudulent purposes." The medium Kathleen Goligher was investigated by the physicist Edmund Edward Fournier d'Albe. On July 22, 1921 in a séance he observed Goligher holding the table up with her foot. He also discovered that her ectoplasm was made of muslin. During a séance d'Albe observed white muslin between Goligher's feet.
In 1785 C.E., the French occultist Eteilla (Jean-Baptiste Alliette) became the first professional tarot diviner. He popularized the use of the tarot as a divinatory tool to a wide audience, and was the first to develop and publish a set of correspondences, linking the cards to astrology, the four classical elements (earth, fire, water, air), and the four humors (black bile, yellow bile, blood, and phlegm). These correspondences are still useful today.
The original purpose of tarot cards was to play games. A very cursory explanation of rules for a tarot-like deck is given in a manuscript by Martiano da Tortona before 1425. Vague descriptions of game play or game terminology follow for the next two centuries until the earliest known complete description of rules for a French variant in 1637. The game of tarot has many regional variations. Tarocchini has survived in Bologna and there are still others played in Piedmont and Sicily, but in Italy the game is generally less popular than elsewhere.
There are many ways of working with the deck. You should choose your own deck by being drawn to it intuitively. There are layers upon layers of systems to learn, including Kabbalah, the tree of life, colour scales, Hebrew letters, numerology, pathways, symbolism, alchemy, astrology, mythology and learning to meditate with each card directly. The more layers you learn the deeper your knowledge and insight into the cards.
The illustration on some decks did double duty, providing divinatory tools and scientific knowledge, like the Geografia Tarocchi deck from around 1725. “The Geografia are extraordinary cards, almost like a little encyclopedia of the world with the oracle imagery peeking out at the top,” Matthews says. “The actual bit that you read from is just a cigarette-card length. So for example, the hanged man just shows his legs at the top of the card, while the rest of the card has information about Africa or Asia or other places on it.”
During a seance, a medium may be the method by which messages are relayed from the spirit world to the guests at the event. While some mediums may enter into a trance-like state, others may be completely awake and fully lucid while passing messages along. Sometimes, particularly if there are a group of fairly magically-aware people at the table, messages might be coming through all over the place, in no particular order. It can feel like the spirit world version of a chat room, with everyone just being bombarded right and left with messages from the other side.
(Everything That Rises Must Converge), Flannery O'Connor put the twisted vision and dark humor of Southern Gothic fiction to spiritual purposes. Though O'Connor, a rural Southerner, knew she would die young of lupus, she remained a faithful Catholic. Indeed, she was determined to undermine the '50s worldview which saw science and logic as steadily leading us to becoming a society based on rationality, consumerism, and progress, which would make God superfluous. Acutely aware of the extremes of religion in the South, she nonetheless preferred that "God-haunted" region to a bland world produced by advertising. She believed the supernatural lay just below the surface of the everyday, requiring the spiritual artist to portray the mundane world with great care and accuracy, however bizarre some of its events and characters might be. O'Connor saw the potential for mysterious grace in any place where the spirit, though twisted, was still alive. Her writing is powerful, at times violent, often hilarious. Sometimes I find it best to read her a little at a time; her unconquerable wit and her deep, abiding spirituality always shine through.
In 1966 the son of Bishop Pike committed suicide. After his death, Pike contacted the British medium Ena Twigg for a series of séances and she claimed to have communicated with his son. Although Twigg denied formerly knowing anything about Pike and his son, the magician John Booth discovered that Twigg had already known information about the Pike family before the séances. Twigg had belonged to the same denomination of Bishop Pike, he had preached at a cathedral in Kent and she had known information about him and his deceased son from newspapers.
In a series of fake séance experiments (Wiseman et al. 2003) paranormal believers and disbelievers were suggested by an actor that a table was levitating when, in fact, it remained stationary. After the seance, approximately one third of the participants incorrectly reported that the table had moved. The results showed a greater percentage of believers reporting that the table had moved. In another experiment the believers had also reported that a handbell had moved when it had remained stationary and expressed their belief that the fake séances contained genuine paranormal phenomena. The experiments strongly supported the notion that in the séance room, believers are more suggestible than disbelievers for suggestions that are consistent with their belief in paranormal phenomena.
There are now thousands of types of tarot decks to choose from, Hello Kitty to zombies. A traditional deck has 22 Major Arcana (or trumps) which are the archetypal images. There are 56 Minor Arcana cards, sixteen Court or Personality cards; the Kings, Queens, Princes and Pages, just like modern playing cards. There are four elements or suits: Fire, Earth, Air and Water, with 10 cards in each. There are no inherently negative cards.
The medium Frank Decker was exposed as a fraud in 1932. A magician and séance sitter who called himself M. Taylor presented a mail bag and Decker agreed to lock himself inside it. During the séance objects were moved around the room and it was claimed spirits had released Decker from the bag. It was later discovered to have been a trick as Martin Sunshine, a magic dealer admitted that he sold Decker a trick mail bag, such as stage escapologists use, and had acted as the medium's confederate by pretending to be M. Taylor, a magician. The British medium Estelle Roberts claimed to materialize an Indian spirit guide called "Red Cloud". Researcher Melvin Harris who examined some photographs of Red Cloud wrote the face was the same as Roberts and she had dressed up in a feathered war-bonnet.
At the same time, if the psychic medium says that Frances is here, and your mother’s name is Francine, don’t say you have no idea what they are talking about. Or if the psychic medium says that your father is wearing a police uniform but your father wore a security uniform, remember that you don’t have to be a psychic medium to mix that one up—anyone could make that mistake. Keep in mind that the clarity of communication may be more like an AM radio station than a telephone. Small inaccuracies are expected. Don’t hold the psychic medium to exact measurements.
In our modern day, just like King Saul of old, people seek counsel from psychic mediums. Several fortune-telling channelers have become wealthy celebrities as a result of predictions published in supermarket tabloids and through counseling well-paying clientele such as Hollywood movie stars, politicians and industrialists. The psychics sometimes claim to be channeling 'Jesus Christ', 'Jehovah God', and 'the Virgin Mary'. But what is the real source of the messages uttered by these spiritists?
Jump up ^ M. Lamar Keene. (1997). The Psychic Mafia. Prometheus Books. p 122. ISBN 978-1-57392-161-9 "A medium still riding high in England is Leslie Flint, famed as an exponent of direct voice. William Rauscher and Allen Spraggett, who attended a sitting Flint held in 1970 in New York, said that it was the most abysmal flop of any seance they had endured. All the spirit voices sounded exactly like the medium and displayed an incredible ignorance of nearly everything pertaining to the sitters. The "mediumship " was second-rate ventriloquism."
Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife. Other cave paintings in Indonesia date back a further 10,000 years. Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility. Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.