Some think this Everest of a novel the greatest ever written. On the surface, it tells a tale of family feuding and parricide, but underneath, it is really a philosophical quest for a spiritual future for humanity and for Russia. Dostoevsky has divided himself into three characters: Dmitry, the passionate and sensual man; Ivan, the brilliant but skeptical intellectual; and Alyosha, the youngest brother, a follower of a Russian holy man. Dostoevsky knows that a novel is only as strong as its villain, so he gives many of the strongest lines to Ivan, who seeks to discredit God on the grounds that even if things work out all right in the future, he cannot forgive God for the suffering of children in the present. The brothers' arguments are really the dialogues of a soul with itself; we can see that the author is risking everything and is not sure where this will all lead. Dostoevsky is arguing with the most powerful of his own doubts, so we find it incredibly moving when, at the end, this author drawn to darkness and violence turns his back on European materialism and cynicism and passionately embraces a spiritual view of life.
Because the spirits who respond to the channelers are satanic, channeling is abhorrent to God. There are few who have any true conception of the deceptive power of spiritualism and the danger of coming under its influence. Many tamper with it merely to gratify their curiosity. They have no real faith in it and would be filled with horror at the thought of yielding themselves to the spirits' control. But they venture upon the forbidden ground, and the mighty destroyer exercises his power upon them against their will. Let them once be induced to submit their minds to his direction, and he holds them captive. It is impossible, in their own strength, to break away from the bewitching, alluring spell. Nothing but the power of God, granted in answer to the earnest prayer of faith, can deliver these ensnared souls.
The game’s original instructions said it could be used for divining because the illustration on each card included both a symbolic image, like the anchor, and a specific playing card, like the nine of spades. “Hechtel must have seen that there were overlaps between divining with playing cards, which, of course, everyone did, and his game,” says Matthews. “Many other oracle decks appeared around the same time at the end of the 18th century and into the early 19th century. They became really popular after the Napoleonic Wars when everyone settled down and became terribly bourgeois.
I work for the highest good, consider myself a child of God, and believe in a Higher Power; therefore, I wouldn’t attract this type of energy. I’m not that keen to call them “bad spirits,” as I’d rather refer to them as spirits that exist at a lower vibration and dwell in the lower spheres of the Spirit World. They’re just farther away from the Divine Source, so it will take longer for them to reach a higher level.
Matthews’ favorite decks are those with straightforward illustrations, like the Tarocchino Bolognese by Giuseppe Maria Mitelli, an Italian deck created sometime around the 1660s. Matthews owns a facsimile of the Mitelli deck, rather than an original, which means she can use them without fear of damaging a priceless antique. “The deck that I enjoy most is the Mertz Lenormand deck because of its clarity,” she says. “The background on each card is a creamy, vellum color, so when you lay them out in tableau, you can see the illustrations very clearly. I frankly get so tired of all the new Photoshopped tarots and the slick art, with their complete lack of any framework or substance.
By the mid-18th century, the mystical applications for cards had spread from Italy to other parts of Europe. In France, writer Antoine Court de Gébelin asserted that the tarot was based on a holy book written by Egyptian priests and brought to Europe by Gypsies from Africa. In reality, tarot cards predated the presence of Gypsies in Europe, who actually came from Asia rather than Africa. Regardless of its inaccuracies, Court de Gébelin’s nine-volume history of the world was highly influential.
An online reading takes place via Skype or similar video link. It is carried out in real time, and you will pay up-front when booking the session. It is similar to a telephone reading but with two-way visual contact. It is much more like an in-person consultation. A good medium will try to put you at ease and connect with you on a personal level as it makes it more rewarding for both parties.
Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife. Other cave paintings in Indonesia date back a further 10,000 years. Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility. Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.