In English-speaking countries, where these games are not played, tarot cards are used primarily for divinatory purposes, usually using specially designed packs. The cards are traced by some occult writers to ancient Egypt or the Kabbalah but there is no documented evidence of such origins or of the usage of tarot for divination before the 18th century.
In 1958, the English-born Spiritualist C. Dorreen Phillips wrote of her experiences with a medium at Camp Chesterfield, Indiana: "In Rev. James Laughton's séances there are many Indians. They are very noisy and appear to have great power. [...] The little guides, or doorkeepers, are usually Indian boys and girls [who act] as messengers who help to locate the spirit friends who wish to speak with you."
Jump up ^ Leonard Zusne, Warren H. Jones. (1989). Anomalistic Psychology: A Study of Magical Thinking. Psychology Press. p. 221. ISBN 978-0-8058-0508-6 "The spirits, controls, and guides of a medium are the products of the medium's own psychological dynamics. On the one hand, they personify the medium's hidden impulses and wish life. On the other, they are also shaped by the expectations of the medium's sitters, the medium's experience, the cultural background, and the spirit of the times."
The Bible says, "For the living know that they will die; but the dead know nothing, and they have no more reward, for the memory of them is forgotten. Also their love, their hatred, and their envy have now perished; nevermore will they have a share in anything done under the sun." In other words, for sure we know it couldn't be Samuel, because when we die, we "know nothing." (For more information on what happens when we die, see our topic on Death).
A widely known channeler of this variety is J. Z. Knight, who claims to channel the spirit of Ramtha, a 30 thousand-year-old man. Others purport to channel spirits from "future dimensions", ascended masters, or, in the case of the trance mediums of the Brahma Kumaris, God. Other notable channels are Jane Roberts for Seth, Esther Hicks for Abraham, and Carla L. Rueckert for Ra.
Growing up in the 1950s, I felt lost amid the materialism and shallow sunniness of the postwar culture; I longed for some overarching meaning. Then I came across books by two novelists, Jack Kerouac and J.D. Salinger, that opened my eyes to an entirely new way of looking at the world. I had not known that books could do this. These novels made life seem a much more mysterious and rich experience than I had imagined. At heart, they were books about spiritual journeys, and they made spirituality seem hip and wonderful. They also introduced me to the Buddhist concept of "right livelihood," thereby ultimately changing my life, for in time I gave up a lucrative career as a missile engineer to become a novelist and teacher of literature. Today, these novels have become spiritual classics, timeless books that provide special wisdom and insight for readers grappling with life's thorniest philosophical dilemmas. The novel as an art form originally came into being as bourgeois entertainment concerned with everyday matters, such as money, success, and ambition. Paradoxically, its very concreteness, which requires the novelist to create plausible characters operating in a credible world, makes the novel an ideal vehicle for exploring spiritual themes and presenting unorthodox worldviews. The best-selling novelists of our time seem not to understand this; but over the past century or so, the form's masters have put this opportunity to especially good use. Their handiwork includes, among others, the following 10 spiritual classics (including a novella, a short story collection, and one novel-like sacred scripture). I cherish these volumes as old friends and teachers; your summer reading experience will be greatly enhanced by packing one or more of these treasures in your travel bag.
In 1891 at a public séance with twenty sitters the medium Cecil Husk was caught leaning over a table pretending to be a spirit by covering his face with phosphor material. The magician Will Goldston also exposed the fraud mediumship of Husk. In a séance Goldston attended a pale face materialization appeared in the room. Goldston wrote "I saw at once that it was a gauze mask, and that the moustache attached to it was loose at one side through lack of gum. I pulled at the mask. It came away, revealing the face of Husk." The British materialization medium Annie Fairlamb Mellon was exposed as a fraud on October 12, 1894. During the séance a sitter seized the materialized spirit, and found it to be the Mellon on her knees with white muslin on her head and shoulders.
One time I did a sitting for a woman, and no one came through at all. I told her that it didn’t mean they didn’t love her, and maybe it just wasn’t the right time. We decided to try again in six months. When she came back, it transpired that in those months she’d lost someone quite close to her, and somehow those in the Spirit World held back in the last sitting because it was simply not the right time.
In 1908 at a hotel in Naples, the psychical researchers W. W. Baggally, Hereward Carrington and Everard Feilding attended a series of séances with Eusapia Palladino. In a report they claimed that genuine supernatural activity had occurred in the séances, this report became known as the Feilding report. In 1910, Feilding returned to Naples, but this time accompanied with the magician William S. Marriott. Unlike the 1908 sittings, Feilding and Marriott detected her cheating, just as she had done in America. Her deceptions were obvious. Palladino evaded control and was caught moving objects with her foot, shaking the curtain with her hands, moving the cabinet table with her elbow and touching the séance sitters. Milbourne Christopher wrote regarding the exposure "when one knows how a feat can be done and what to look for, only the most skillful performer can maintain the illusion in the face of such informed scrutiny."
The spiritualists Arthur Conan Doyle and W. T. Stead were duped into believing Julius and Agnes Zancig had genuine psychic powers. Both Doyle and Stead wrote that the Zancigs performed telepathy. In 1924 Julius and Agnes Zancig confessed that their mind reading act was a trick and published the secret code and all the details of the trick method they had used under the title of Our Secrets!! in a London Newspaper.
In 1918, Joseph Jastrow wrote about the tricks of Eusapia Palladino who was an expert at freeing her hands and feet from the control in the séance room. In the séance room Palladino would move curtains from a distance by releasing a jet of air from a rubber bulb that she had in her hand. According to the psychical researcher Harry Price "Her tricks were usually childish: long hairs attached to small objects in order to produce 'telekinetic movements'; the gradual substitution of one hand for two when being controlled by sitters; the production of 'phenomena' with a foot which had been surreptitiously removed from its shoe and so on."
Visiting a psychic reader can be lightly entertaining or profoundly revealing, depending on what you are looking for. Take a professional approach to consulting a medium, and keep a level head when accepting advice or guidance Don’t get so wrapped up in the spiritual world that you are unable to fully enjoy this one. Above all, don’t be misled into thinking the psychic medium has extraordinary powers until you see proof.
Direct voice communication is the claim that spirits speak independently of the medium, who facilitates the phenomenon rather than produces it. The role of the medium is to make the connection between the physical and spirit worlds. Trumpets are often utilised to amplify the signal, and directed voice mediums are sometimes known as "trumpet mediums". This form of mediumship also permits the medium to participate in the discourse during séances, since the medium's voice is not required by the spirit to communicate. Leslie Flint was one of the best known exponents of this form of mediumship.