In a series of fake séance experiments (Wiseman et al. 2003) paranormal believers and disbelievers were suggested by an actor that a table was levitating when, in fact, it remained stationary. After the seance, approximately one third of the participants incorrectly reported that the table had moved. The results showed a greater percentage of believers reporting that the table had moved. In another experiment the believers had also reported that a handbell had moved when it had remained stationary and expressed their belief that the fake séances contained genuine paranormal phenomena. The experiments strongly supported the notion that in the séance room, believers are more suggestible than disbelievers for suggestions that are consistent with their belief in paranormal phenomena.
Sometimes I may even come up with a word or saying in their language that I’ve never spoken before. One time I did a reading for a woman who was from Romania. Her mom came through, and she’d never spoken English in her life. When she connected with me, it was all in pictures and symbols. I wasn’t remotely surprised to find out that her mom was an artist and was a visual person. It was as if these pictures and symbols had words attached to them.
In 1958, the English-born Spiritualist C. Dorreen Phillips wrote of her experiences with a medium at Camp Chesterfield, Indiana: "In Rev. James Laughton's séances there are many Indians. They are very noisy and appear to have great power. [...] The little guides, or doorkeepers, are usually Indian boys and girls [who act] as messengers who help to locate the spirit friends who wish to speak with you."
Of course, they don’t just visit when the going gets tough. By the same token, I often receive evidence that spirits were there to see their children get married, or witness the birth of a baby or a daughter’s graduation. Holidays and special occasions are also big for them — they want to see us happy and like to take part in that joy. After all, if they were here physically, it goes without saying that they’d be present at these important events. Being in spirit doesn’t change the fact that they’re still our family and still care about us.
(Everything That Rises Must Converge), Flannery O'Connor put the twisted vision and dark humor of Southern Gothic fiction to spiritual purposes. Though O'Connor, a rural Southerner, knew she would die young of lupus, she remained a faithful Catholic. Indeed, she was determined to undermine the '50s worldview which saw science and logic as steadily leading us to becoming a society based on rationality, consumerism, and progress, which would make God superfluous. Acutely aware of the extremes of religion in the South, she nonetheless preferred that "God-haunted" region to a bland world produced by advertising. She believed the supernatural lay just below the surface of the everyday, requiring the spiritual artist to portray the mundane world with great care and accuracy, however bizarre some of its events and characters might be. O'Connor saw the potential for mysterious grace in any place where the spirit, though twisted, was still alive. Her writing is powerful, at times violent, often hilarious. Sometimes I find it best to read her a little at a time; her unconquerable wit and her deep, abiding spirituality always shine through.
The word tarot and German Tarock derive from the Italian tarocchi, the origin of which is uncertain but taroch was used as a synonym for foolishness in the late 15th and early 16th centuries. The decks were known exclusively as trionfi during the fifteenth century. The new name first appeared in Brescia around 1502 as tarocho. During the 16th century, a new game played with a standard deck but sharing a very similar name (trionfa) was quickly becoming popular. This coincided with the older game being renamed tarocchi. In modern Italian, the singular term is tarocco, which, as a noun, means a type of blood orange, and, as an adjective, means 'fake, counterfeit'.
Over time, many great thinkers have added to the deeper understanding of the Tarot cards. Carl Jung connected the symbology of the trumps to archetypes, concluding that the tarot might play an important role in psychoanalysis. The Hero’s Journey discussed by Joseph Campbell laid the foundation for the Journey of the Fool, who jumps heedlessly off a cliff only to come full circle into the position of magician. The archetypal symbols in each card tell a story, and therefore clue the reader into what influences are appearing in the querent’s own life.
Ten mediums—five less expert and five experienced—were injected with a radioactive tracer to capture their brain activity during normal writing and during the practice of psychography, which involves allegedly channeling written communication from the "other side" while in a trance-like state. The subjects were scanned using SPECT (single photon emission computed tomography) to highlight the areas of the brain that are active and inactive during the practice.
Firstly, you need to decide what kind of reading you want. Are you hoping to connect with a loved one? Are you interested in forging your spiritual path and need a little guidance? Are you wondering what energies are around you? Would you like a little advice from the angels? There are many psychics who devote their time to one or more of these practices. You will have to do a little research to find the one that can help you.
And here’s the thing – you may already consciously know the message or insight you receive in a Tarot reading, in which case, the reading can be a heartening confirmation of what you already know. Or, you might be completely unaware of the message until you see it reflected in the cards, in which case you are now empowered to take action based on your new awareness.
The psychical researchers W. W. Baggally and Everard Feilding exposed the British materialization medium Christopher Chambers as a fraud in 1905. A false moustache was discovered in the séance room which he used to fabricate the spirit materializations. The British medium Charles Eldred was exposed as a fraud in 1906. Eldred would sit in a chair in a curtained off area in the room known as a "séance cabinet". Various spirit figures would emerge from the cabinet and move around the séance room, however, it was discovered that the chair had a secret compartment that contained beards, cloths, masks, and wigs that Eldred would dress up in to fake the spirits.