But here's the interesting part: the writing samples produced were analyzed and it was found that the complexity scores for the psychographed content were higher than those for the control writing across the board. In particular, the more experienced mediums showed higher complexity scores, which typically would require more activity in the frontal and temporal lobes--but that's precisely the opposite of what was observed.
Using Your Tarot Deck Look at the cards one by one, take time to immerse yourself, and try to acknowledge the symbolism. Draw cards only when you feel inspired to do so. Full moon days and Mondays are auspicious for drawing. It is best consult Tarot when you are neither preoccupied or stressed. Your surroundings should be quiet and softly lit, possible. It is also helpful to light candles or incense. Set the cards on a neutral-colored cloth (black or white), and then begin your reading. Questions must be precise and clear. Then the cards have to be well-shuffled, cut, displayed and chosen with your l hand. If you shuffle the cards and one accidentally falls out of the deck, look at it; as it often indicates something important.
Likewise, the entire audience can affect the clarity of the spirit communication at a psychic medium demonstration. If the audience as a whole is very open, accepting and light-hearted, this helps the psychic medium, as it would help any speaker on stage. If the audience as a whole is skeptical, apathetic or angry, this can negatively affect the psychic medium, as it might affect any speaker in front of such a group. Spirit communication is about energy. If the energy in the room is low, it makes it more difficult for the psychic medium to raise his or her energy to connect with spirit. If the energy is high, it can assist the psychic medium to raise his or her energy.
Jump up ^ Leonard Zusne, Warren H. Jones. (1989). Anomalistic Psychology: A Study of Magical Thinking. Psychology Press. p. 221. ISBN 978-0-8058-0508-6 "The spirits, controls, and guides of a medium are the products of the medium's own psychological dynamics. On the one hand, they personify the medium's hidden impulses and wish life. On the other, they are also shaped by the expectations of the medium's sitters, the medium's experience, the cultural background, and the spirit of the times."
The oldest surviving tarot cards are the 15 or so Visconti-Sforza tarot decks painted in the mid-15th century for the rulers of the Duchy of Milan. A lost tarot-like pack was commissioned by Duke Filippo Maria Visconti and described by Martiano da Tortona probably between 1418 and 1425, since the painter he mentions, Michelino da Besozzo, returned to Milan in 1418, while Martiano himself died in 1425. He described a 60-card deck with 16 cards having images of the Greek gods and suits depicting four kinds of birds. The 16 cards were regarded as "trumps" since in 1449 Jacopo Antonio Marcello recalled that the now deceased duke had invented a novum quoddam et exquisitum triumphorum genus, or "a new and exquisite kind of triumphs". Other early decks that also showcased classical motifs include the Sola-Busca and Boiardo-Viti decks of the 1490s.
Most card readers recognize that the associations and preconceptions of the person being read for are just as important as the actual drawings on the cards: Divination cards offer a way to project certain ideas, whether subconscious or not, and to toy with potential outcomes for important decisions. Thus, like scenes from a picture book, the best illustrations typically offer clear visions of their subjects with an open-ended quality, as though the action is unfolding before you.
Because the earliest tarot cards were hand-painted, the number of the decks produced is thought to have been small. It was only after the invention of the printing press that mass production of cards became possible. The expansion of tarot outside of Italy, first to France and Switzerland, occurred during the Italian Wars. The most important tarot pattern used in these two countries was the Tarot of Marseilles of Milanese origin.
Illusionists, such as Joseph Rinn have staged 'fake' séances in which the sitters have claimed to have observed genuine supernatural phenomena. Albert Moll studied the psychology of séance sitters. According to (Wolffram, 2012) "[Moll] argued that the hypnotic atmosphere of the darkened séance room and the suggestive effect of the experimenters' social and scientific prestige could be used to explain why seemingly rational people vouchsafed occult phenomena." The psychologists Leonard Zusne and Warren Jones in their book Anomalistic Psychology: A Study of Magical Thinking (1989) wrote that spirits controls are the "products of the medium's own psychological dynamics."
According to James Randi, a skeptic who has debunked many claims of psychic ability and uncovered fraudulent practices, mediums who do cold readings "fish, suggest possibilities, make educated guesses and give options." Randi has a standing offer of $1 million US dollars for anyone who can demonstrate psychic ability under controlled conditions. Most prominent psychics and mediums have not taken up his offer.
I somehow got convinced to have a psychic reading with Adriana on Newbury St. I was walking down the road minding my own business and she pulled me aside and said something like, "You're at a crossroads and I see something about career in your future." Well, that's pretty non-specific, but I was intrigued because I've been plagued by work issues and feeling like I need to make a change.
Some people ask if I, much like a doctor, chose this specialty as my service. On a basic human level, the answer is no...it chose me. On a soul level, though, I am certain this is what I signed up to do in this lifetime. My responsibility lies in simply acknowledging my "gift" and what comes naturally for me, and embracing the calling to serve as a messenger for Spirit.
I have read several book about mediumship, and currently reading surviving Death, Leslie Kean. I also have read time and again the skeptics crow every time they believe they have exposed fraud. The prance and buck at every attempt to make genuine controlled experiments, such as the Swartz experiments. They will never ever be convinced not ever, because for them the brain is the beginning and the end. Hell will freeze over before these critics would ever be anything other than convinced its all smoke, mirror, frauds and deceptions. Wikipedia-Not a good source for a complete treatment or fair treatment of any subject has several long and lengthy treatises discrediting anything suggestive of survival after the brain is dead.
The Polish medium Stanisława Tomczyk's levitation of a glass beaker was exposed and replicated in 1910 by the magician William S. Marriott by means of a hidden thread. The Italian medium Lucia Sordi was exposed in 1911, she was bound to a chair by psychical researchers but would free herself during her séances. The tricks of another Italian medium Linda Gazzera were revealed in the same year, she would release her hands and feet from control in her séances and use them. Gazzera would not permit anyone to search her before a séance sitting, as she concealed muslin and other objects in her hair.
In our modern day, just like King Saul of old, people seek counsel from psychic mediums. Several fortune-telling channelers have become wealthy celebrities as a result of predictions published in supermarket tabloids and through counseling well-paying clientele such as Hollywood movie stars, politicians and industrialists. The psychics sometimes claim to be channeling 'Jesus Christ', 'Jehovah God', and 'the Virgin Mary'. But what is the real source of the messages uttered by these spiritists?
Mediums obtain messages from the spirit world in different ways. Some receive intuitive information, in which images and words appear as mental impressions that are then relayed along to the living. In other cases, a medium may hear actual auditory messages or see actual images of these messages. Many people who do spirit communication regularly find that the dead can be quite a chatty bunch sometimes. If they've got something to tell you, they're going to make sure you get told. What you choose to do with the information is up to you, but a lot of mediums, it can feel like they've got someone's dead granny screaming in their ears, and if they don't pass that message along to you, she's not going to shut up.
The Burning Question reading is for times when you have a question that needs to be answered immediately—a burning question, if you will. A card symbolizing the question is placed at the center of the spread with the remaining six cards placed around it, suggesting the shape of a flame as it clings onto an object. Spread created by veteran tarot reader Laura Mead-Desmet.