In 1960, psychic investigator Andrija Puharich and Tom O'Neill, publisher of the Spiritualist magazine Psychic Observer, arranged to film two seances at Camp Chesterfield, Indiana using infrared film, intending to procure scientific proof of spirit materializations. The medium was shown the camera beforehand, and was aware that she was being filmed. However, the film revealed obvious fraud on the part of the medium and her cabinet assistant. The expose was published in the 10 July 1960 issue of the Psychic Observer.[168]:96–97
Psychologists and researchers who studied Pearl Curran's automatic writings in the 1930s came to the conclusion Patience Worth was a fictitious creation of Curran.[152][153] In 1931 George Valiantine was exposed as a fraud in the séance room as it was discovered that he produced fraudulent "spirit" fingerprints in wax. The "spirit" thumbprint that Valiantine claimed belonged to Arthur Conan Doyle was revealed to be the print of his big toe on his right foot. It was also revealed that Valiantine made some of the prints with his elbow.[154]

In March 1902 in Berlin, police officers interrupted a séance of the German apport medium Frau Anna Rothe. Her hands were grabbed and she was wrestled to the ground. A female police assistant physically examined Rothe and discovered 157 flowers as well as oranges and lemons hidden in her petticoat. She was arrested and charged with fraud.[102] Another apport medium Hilda Lewis known as the "flower medium" confessed to fraud.[103]

During a seance, a medium may be the method by which messages are relayed from the spirit world to the guests at the event. While some mediums may enter into a trance-like state, others may be completely awake and fully lucid while passing messages along. Sometimes, particularly if there are a group of fairly magically-aware people at the table, messages might be coming through all over the place, in no particular order. It can feel like the spirit world version of a chat room, with everyone just being bombarded right and left with messages from the other side.
Jump up ^ M. Lamar Keene. (1997). The Psychic Mafia. Prometheus Books. p 122. ISBN 978-1-57392-161-9 "A medium still riding high in England is Leslie Flint, famed as an exponent of direct voice. William Rauscher and Allen Spraggett, who attended a sitting Flint held in 1970 in New York, said that it was the most abysmal flop of any seance they had endured. All the spirit voices sounded exactly like the medium and displayed an incredible ignorance of nearly everything pertaining to the sitters. The "mediumship " was second-rate ventriloquism."
Likewise, the entire audience can affect the clarity of the spirit communication at a psychic medium demonstration. If the audience as a whole is very open, accepting and light-hearted, this helps the psychic medium, as it would help any speaker on stage. If the audience as a whole is skeptical, apathetic or angry, this can negatively affect the psychic medium, as it might affect any speaker in front of such a group. Spirit communication is about energy. If the energy in the room is low, it makes it more difficult for the psychic medium to raise his or her energy to connect with spirit. If the energy is high, it can assist the psychic medium to raise his or her energy.
The Major Arcana (greater secrets), or trump cards, consists of 22 cards without suits: The Magician, The High Priestess, The Empress, The Emperor, The Hierophant, The Lovers, The Chariot, Strength, The Hermit, Wheel of Fortune, Justice, The Hanged Man, Death, Temperance, The Devil, The Tower, The Star, The Moon, The Sun, Judgement, The World, and The Fool. Cards from The Magician to The World are numbered in Roman numerals from I to XXI, while The Fool is the only unnumbered card, sometimes placed at the beginning of the deck as 0, or at the end as XXII.

There are many ways of working with the deck. You should choose your own deck by being drawn to it intuitively. There are layers upon layers of systems to learn, including Kabbalah, the tree of life, colour scales, Hebrew letters, numerology, pathways, symbolism, alchemy, astrology, mythology and learning to meditate with each card directly. The more layers you learn the deeper your knowledge and insight into the cards.
It is most likely connected to a previous life in which there is a lesson that must be learned and overcome. Are you ever drawn to something that you can’t explain? A country? A profession? A life mission? These may be connected to a past life. We can help you understand your past so you can move forward with a renewed passion and understanding of your life’s purpose.
Most card readers recognize that the associations and preconceptions of the person being read for are just as important as the actual drawings on the cards: Divination cards offer a way to project certain ideas, whether subconscious or not, and to toy with potential outcomes for important decisions. Thus, like scenes from a picture book, the best illustrations typically offer clear visions of their subjects with an open-ended quality, as though the action is unfolding before you.
Saul should have known better than to consult with a medium, for God had warned in Leviticus 20:6, "I will set my face against the person who turns to mediums and spiritists to prostitute himself by following them. I will cut him off from his people." The end result of King Saul's quest was tragic. Shortly after his visit to the witch, the king was wounded in battle and took his own life rather than being captured by the enemy.
While the tarot is the most widely known, it’s just one type of deck used for divination; others include common playing cards and so-called oracle decks, a term encompassing all the other fortune-telling decks distinct from the traditional tarot. Etteilla eventually switched to using a traditional tarot deck, which he claimed held secret wisdom passed down from ancient Egypt. Etteilla’s premise echoed the writings of Court de Gébelin, who allegedly recognized Egyptian symbols in tarot-card illustrations. Though hieroglyphics had not yet been deciphered (the Rosetta Stone was rediscovered in 1799), many European intellectuals in the late 18th century believed the religion and writings of ancient Egypt held major insights into human existence. By linking tarot imagery to Egyptian mysticism, they gave the cards greater credibility.
Why? You may well ask. Simple: it’s because I have a life here, and I need to be able to enjoy it without feeling as if I’m constantly on duty. In my workshops, I teach that we’re spiritual beings as well as physical beings, and it’s so important that we honor all of ourselves. It takes a really strong spirit to get my attention when I’m not working, as it needs to literally break through my shield, my “off switch,” but on those rare occasions when one does, I’ve now learned that I still must act on it every time.
You may find it helpful know that what you are experiencing is fairly common, and you aren't alone. Lots of people from all over the political, religious, age, class, race, industry spectrum have pulled me aside to talk about this. (So relax, alright?) It's just something no one wants to discuss because they're afraid everyone will think they're crazy. It's a terrible isolation loop, really. But moving on . . . 
As occult interest in the Tarot expanded, it became more associated with the Kabbalah and the secrets of hermetic mysticism. By the end of the Victorian era, occultism and spiritualism had become popular pastimes for bored upper class families. It wasn’t uncommon to attend a house party and find a séance taking place, or someone reading palms or tea leaves in the corner.
Between 8 November and 31 December 1920 Gustav Geley of the Institute Metapsychique International attended fourteen séances with the medium Franek Kluski in Paris. A bowl of hot paraffin was placed in the room and according to Kluski spirits dipped their limbs into the paraffin and then into a bath of water to materialize. Three other series of séances were held in Warsaw in Kluski's own apartment, these took place over a period of three years. Kluski was not searched in any of the séances. Photographs of the molds were obtained during the four series of experiments and were published by Geley in 1924.[123][124] Harry Houdini replicated the Kluski materialization moulds by using his hands and a bowl of hot paraffin.[125]
Likewise, the entire audience can affect the clarity of the spirit communication at a psychic medium demonstration. If the audience as a whole is very open, accepting and light-hearted, this helps the psychic medium, as it would help any speaker on stage. If the audience as a whole is skeptical, apathetic or angry, this can negatively affect the psychic medium, as it might affect any speaker in front of such a group. Spirit communication is about energy. If the energy in the room is low, it makes it more difficult for the psychic medium to raise his or her energy to connect with spirit. If the energy is high, it can assist the psychic medium to raise his or her energy.
Some scientists of the period who investigated spiritualism also became converts. They included chemist Robert Hare, physicist William Crookes (1832–1919) and evolutionary biologist Alfred Russel Wallace (1823–1913).[13][14] Nobel laureate Pierre Curie took a very serious scientific interest in the work of medium Eusapia Palladino.[15] Other prominent adherents included journalist and pacifist William T. Stead (1849–1912)[16] and physician and author Arthur Conan Doyle (1859–1930).[17]
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