Teacher and publisher Jean-Baptiste Alliette wrote his first book on the tarot in 1791, called “Etteilla, ou L’art de lire dans les cartes,” meaning “Etteilla, or the Art of Reading Cards.” (Alliette created this mystical pseudonym “Etteilla” simply by reversing his surname.) According to Etteilla’s writings, he first learned divination with a deck of 32 cards designed for a game called Piquet, along with the addition of his special Etteilla card. This type of card is known as the significator and typically stands in for the individual having their fortune read.
In 1958, the English-born Spiritualist C. Dorreen Phillips wrote of her experiences with a medium at Camp Chesterfield, Indiana: "In Rev. James Laughton's séances there are many Indians. They are very noisy and appear to have great power. [...] The little guides, or doorkeepers, are usually Indian boys and girls [who act] as messengers who help to locate the spirit friends who wish to speak with you."
As occult interest in the Tarot expanded, it became more associated with the Kabbalah and the secrets of hermetic mysticism. By the end of the Victorian era, occultism and spiritualism had become popular pastimes for bored upper class families. It wasn’t uncommon to attend a house party and find a séance taking place, or someone reading palms or tea leaves in the corner.
When deciding whether to consult with a local medium in person, check for a couple of things before scheduling. Does the person live in a decent or nice neighborhood? If not, that ought to raise questions about her ability to accurately advise clients. While it is common knowledge that mediums, like doctors, do not “treat” themselves due to the subjective nature of self-study, they should be able to boast a reasonable success rate with clients, which means the clients would want to return periodically as well as refer friends and associates. This would lead to significant income for an accurate psychic medium, so that she would be able to afford a comfortable home or office in a pretty good neighborhood. If the home or office appears run-down or quite modest, this may mean the reader is not as accurate as she claims. Not all psychics live in mansions, of course, but successful ones probably reflect an element of status.
The fraudulent medium Ronald Edwin confessed he had duped his séance sitters and revealed the fraudulent methods he had used in his book Clock Without Hands (1955). The psychical researcher Tony Cornell investigated the mediumship of Alec Harris in 1955. During the séance "spirit" materializations emerged from a cabinet and walked around the room. Cornell wrote that a stomach rumble, nicotine smelling breath and a pulse gave it away that all the spirit figures were in fact Harris and that he had dressed up as each one behind the cabinet.
Growing up in the 1950s, I felt lost amid the materialism and shallow sunniness of the postwar culture; I longed for some overarching meaning. Then I came across books by two novelists, Jack Kerouac and J.D. Salinger, that opened my eyes to an entirely new way of looking at the world. I had not known that books could do this. These novels made life seem a much more mysterious and rich experience than I had imagined. At heart, they were books about spiritual journeys, and they made spirituality seem hip and wonderful. They also introduced me to the Buddhist concept of "right livelihood," thereby ultimately changing my life, for in time I gave up a lucrative career as a missile engineer to become a novelist and teacher of literature. Today, these novels have become spiritual classics, timeless books that provide special wisdom and insight for readers grappling with life's thorniest philosophical dilemmas. The novel as an art form originally came into being as bourgeois entertainment concerned with everyday matters, such as money, success, and ambition. Paradoxically, its very concreteness, which requires the novelist to create plausible characters operating in a credible world, makes the novel an ideal vehicle for exploring spiritual themes and presenting unorthodox worldviews. The best-selling novelists of our time seem not to understand this; but over the past century or so, the form's masters have put this opportunity to especially good use. Their handiwork includes, among others, the following 10 spiritual classics (including a novella, a short story collection, and one novel-like sacred scripture). I cherish these volumes as old friends and teachers; your summer reading experience will be greatly enhanced by packing one or more of these treasures in your travel bag.
Because the earliest tarot cards were hand-painted, the number of the decks produced is thought to have been small. It was only after the invention of the printing press that mass production of cards became possible. The expansion of tarot outside of Italy, first to France and Switzerland, occurred during the Italian Wars. The most important tarot pattern used in these two countries was the Tarot of Marseilles of Milanese origin.
Future - Finally, there is the future card. The future is wrought with mystery and unknowns, and this card offers a magic view of what’s next in the journey. It can reveal where you are headed or could be headed if you do not make important changes. Looking into the future card, see what strengths you continue to develop, what you master, and what falls to the wayside as you pursue more meaningful endeavors. You might also be able to see where you will live, who you will fall in love with, or what kind of good fortune comes your way.