If you are looking to connect with someone who has passed, then you are requesting a mediumistic reading. I will raise my vibration, as those in the spirit world will lower their vibration on a frequency level to make the connection possible. It is my spirit in my body connecting with a spirit that no longer has a physical body. I will be connecting to those who have passed and who are able to connect with you at the time of the reading. As an evidential medium, I will ask those in the spirit world to communicate evidential facts that will validate the continuity of life after the physical world. Besides describing what the person may have looked like here on the earth plane, I will also sense their individual personality, and ask them for as many details as possible such as birthday and anniversary dates, dates of passing, names, and maybe what kind of work they did here on the earth plane, objects they owned or where they lived, etc.. Sometimes one person will be connecting at the time of the reading, and sometimes many people from spirit will connect with you during the reading. My intention as an evidential medium is to work with those in the spirit world, asking for as much validation as possible so that it will leave no doubt in your mind that your loved one, or loved ones, have communicated with you from the spirit world.
These trump, or triumph, cards were often painted for wealthy families. Members of the nobility would commission artists to create for them their own set of cards, featuring family members and friends as the triumph cards. A number of sets, some of which still exist today, were created for the Visconti family of Milan, which counted several dukes and barons among its numbers.
There are many ways of working with the deck. You should choose your own deck by being drawn to it intuitively. There are layers upon layers of systems to learn, including Kabbalah, the tree of life, colour scales, Hebrew letters, numerology, pathways, symbolism, alchemy, astrology, mythology and learning to meditate with each card directly. The more layers you learn the deeper your knowledge and insight into the cards.
wow, this is amazing. I have learnt a lot from reading this, I am a Pyschic Medium and I am trying to develop more. You have written a very inspiration blog and i am saving this page as a favourites of mine to always reflect on. You have a kind and calming nature to all around you. I can certainly relate to most of the messages, and I know understand that It isn’t about me, and i love the quote ” I define my job as giving a voice to those in spirit”. Thank you.
Just because spirits can come to me doesn’t mean they are in control — I am. I wasn’t so disciplined at the beginning, but then I was more inexperienced and possibly a little naïve. As an example, I do remember one time when I was at a party where no one knew me. I was mingling with the guests when a young man walked in and pushed past me to get a drink.
Just as in any profession, mediums have specialties and areas of expertise. Unlike Allison Dubois in Medium, I don't work with the police in solving crimes. Or, unlike Melinda Gordon in The Ghost Whisperer, I don't help tormented souls cross over. Over the years, it has become very clear that my job lies in working with souls who have happily crossed over to the other side and, for the most part, are at peace. Sure, they may have regrets or unresolved issues, but they're not haunted or lost. Oftentimes, it's the living that are not at peace. The main goal of your deceased loved ones and spirit guides is to assist you in moving on, free of grief and struggle, so you can fulfill your life lessons and enjoy your time here on earth.

In 1966 the son of Bishop Pike committed suicide. After his death, Pike contacted the British medium Ena Twigg for a series of séances and she claimed to have communicated with his son. Although Twigg denied formerly knowing anything about Pike and his son, the magician John Booth discovered that Twigg had already known information about the Pike family before the séances. Twigg had belonged to the same denomination of Bishop Pike, he had preached at a cathedral in Kent and she had known information about him and his deceased son from newspapers.[169]
Playing cards first entered Europe in the late 14th century, most likely from Mamluk Egypt, with suits of Batons or Polo sticks (commonly known as Wands by those practicing occult or divinatory tarot), Coins (commonly known as disks, or pentacles in occult or divinatory tarot), Swords, and Cups. These suits were very similar to modern tarot divination decks and are still used in traditional Italian, Spanish and Portuguese playing card decks.[5]
“Etteilla was one of the people who actually made divination so esoteric,” says Matthews. “He created a deck that incorporated all the things from Court de Gébelin and his book ‘Le Monde Primitif’ [‘The Primitive World’], which suggested an Egyptian origin for the tarot and all sorts of arcane things.” Matthews makes a distinction between the tarot’s abstract interpretations and the straightforward “cartomantic” reading style that thrived during the 16th and 17th centuries, prior to Etteilla.
In 1958, the English-born Spiritualist C. Dorreen Phillips wrote of her experiences with a medium at Camp Chesterfield, Indiana: "In Rev. James Laughton's séances there are many Indians. They are very noisy and appear to have great power. [...] The little guides, or doorkeepers, are usually Indian boys and girls [who act] as messengers who help to locate the spirit friends who wish to speak with you."[20]
Ten mediums—five less expert and five experienced—were injected with a radioactive tracer to capture their brain activity during normal writing and during the practice of psychography, which involves allegedly channeling written communication from the "other side" while in a trance-like state. The subjects were scanned using SPECT (single photon emission computed tomography) to highlight the areas of the brain that are active and inactive during the practice.
In 1966 the son of Bishop Pike committed suicide. After his death, Pike contacted the British medium Ena Twigg for a series of séances and she claimed to have communicated with his son. Although Twigg denied formerly knowing anything about Pike and his son, the magician John Booth discovered that Twigg had already known information about the Pike family before the séances. Twigg had belonged to the same denomination of Bishop Pike, he had preached at a cathedral in Kent and she had known information about him and his deceased son from newspapers.[169]
One, some psychic mediums see spirits. Not every spirit chooses to show himself or herself to a psychic medium who has this ability, but many of them do. If the psychic medium can see spirits, part of the communication will be based on sight. A psychic medium may see something in their mind’s eye (as an inner vision), or they may see spirits the way they see other people (as a physical manifestation, except the spirits are more ethereal, ghostly).

This is the last in the five-volume series of autobiographical novels called "The Children of Violence," which trace the life story of Martha Quest. The first four books portray Martha's youth and young womanhood among the English settlers in colonial, racially divided British Rhodesia. In this book, Martha leaves Africa and is living in postwar London, a bombed-out city where the walls of buildings are not the only boundaries that have come down. The line between good and evil was much clearer under the African sun; here Martha enters a world where such distinctions are lost at a dizzying pace. Her friend Lynda undergoes a personal breakdown, prefiguring Martha's own dissolution. Lessing's genius is to see that this time of social fragmentation and personal disorder can be welcomed as the prelude to a spiritual rebirth. This book moves from politics toward spirituality and reflects Lessing's honesty and concern.
The Burning Question reading is for times when you have a question that needs to be answered immediately—a burning question, if you will. A card symbolizing the question is placed at the center of the spread with the remaining six cards placed around it, suggesting the shape of a flame as it clings onto an object. Spread created by veteran tarot reader Laura Mead-Desmet.
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