Playing cards, imported into Europe from Egypt, consisted of four suits similar to the ones we still see in tarot today: cups, swords, wands (or staves) and coins. As early as 1227 C.E., symbolic meaning was attributed to certain cards, some of which began to take on names such as “The Sun” and “The Moon,” etc. This attachment of symbolism to the cards heralded the development of the trumps. Occultists suggest that this evolution of the tarot coincides so closely with the rise of both the Kabbalah and the Inquisition that the symbolism entrenched in the tarot is really the hidden remnants of Pagan Europe struggling to survive.
Healing and gifting to Spirit the energetic patterns that seem to provide the illusion of holding a soul from being in an Amaranthine of Spiritual Oneness, will assist you in shifting into the resonance of Absoulute Love, Bliss, and Inspiration within your Life. Come to remember, embrace, and treasure how to Multi~Dimensionally Travel within the infinite Life Experiences we experience simultaneously and instantaneously and how to shift and change the energetic cyclical patterns that you have chosen to experience within this Life Experience. We often call these past lives and yet our lives are being lived all at once.
“Etteilla was one of the people who actually made divination so esoteric,” says Matthews. “He created a deck that incorporated all the things from Court de Gébelin and his book ‘Le Monde Primitif’ [‘The Primitive World’], which suggested an Egyptian origin for the tarot and all sorts of arcane things.” Matthews makes a distinction between the tarot’s abstract interpretations and the straightforward “cartomantic” reading style that thrived during the 16th and 17th centuries, prior to Etteilla.
Graphic designer and artist Bill Wolf, whose interest in tarot illustration dates to his art-school days at Cooper Union in New York, has his own theories about the tarot’s beginning. Wolf, who doesn’t use cards for divination, believes that originally, “the meaning of the imagery was parallel to the mechanics of the play of the game. The random draw of the cards created a new, unique narrative each and every time the game was played, and the decisions players made influenced the unfolding of that narrative.” Imagine a choose-your-own-adventure style card game.
In 1966 the son of Bishop Pike committed suicide. After his death, Pike contacted the British medium Ena Twigg for a series of séances and she claimed to have communicated with his son. Although Twigg denied formerly knowing anything about Pike and his son, the magician John Booth discovered that Twigg had already known information about the Pike family before the séances. Twigg had belonged to the same denomination of Bishop Pike, he had preached at a cathedral in Kent and she had known information about him and his deceased son from newspapers.
Often, I will do a Skype call with my best friend in the evening, when she is off work. She lays the cards out for me on her Turkish scarves then - ta-da! - the fortune-telling happens. Because she knows me so well, since we were pip-squeaks, it is helpful to have her insight on what each card forebodes. After the reading, I get to process it all with my pal then take it with me into my dreams.